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The Perimeter
Quintin Lake has featured in a couple of articles about his adventures in "From Greenland to the Sahara" and a walking project on the Thames Waters in previous On Landscape issues more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Barry Rosof, Benjamin Stevens, John Higgs & Sanjeev Kumar Yadav. more
Nature Without and Within
I have come to think of my photographic approach as that of losing myself to the experience of seeing, where seeing includes other senses, as well as that of the eyes. more
A Summons to Seriousness
Although we may differ in our preference of where and how we feel most at ease and most motivated to photograph, we all have the choice to consider such situations as “summons to seriousness.” more
ATLANTIC
These images form part of an ongoing study of the Atlantic coast of Ireland. This exhibition presents seven photographs. more
Stuart Williams
With the exception of my tertiary education, I have spent my life in Africa, having grown up in Kenya. I grew up under big skies and the equatorial sun. more
Huibo Hou
Huibo’s image of the Witch’s Finger (Trølkonufingur) in the Faroe Islands is a great example of emotive feeling exploding out of an image. To say it’s got drama is to do it a disservice. The view here is epic, monumental, awesome in the Burkian sense of the sublime. more
Why Photography is Important
I knew that taking photographs was going to be my route to introducing some sort of balance into my life. Given that I didn't have a Plan B this was a bit of a relief. more
Issue 216 PDF
Click here to download issue 216 (high quality, 151Mb) Click here to download issue 216 (smaller download, 106Mb) more
End frame: Rock, Water and Tree, Cascade Falls, Yosemite 2011 by William Neill
The delicious curving lead from the bottom left is beautifully revealed at this speed and water volume. It fulfils its role perfectly and draws the viewer through the image to the beautiful split rock. more
The Metaphoric Landscape
Ultimately we all find our own ways of translating what we see in the world, in the landscape, and in our own photographs; and with luck, hope that our way of seeing will find resonance for others. more
Janet Matthews
I started visiting woodlands with my camera at a time when I needed a place to reflect on life. This was at the time when the leaves had already fallen, making visible the underlying structures created by the branches and vines. more
Niall Benvie’s Retrospective
Style is something endemic rather than acquired or cultivated. It emerges once you’ve worked through all the external influences that inform your work as you’re making your way. more
Tides and Tempests
I don’t think Tides and Tempests would be happening this year if it weren’t for lockdown and a broken shoulder, both of which kept me at home and gave me time to concentrate on the book. more
Solo Exhibition
Ellie has been working in UK forests for the past ten years, making work which explores the complex interrelationship between the landscape and the individual. more