Issue 319
Tim Parkin |
Click here to download issue 319 (high quality, 200Mb) Click here to download issue 319 (smaller download, 146Mb) more
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Latest Articles
End frame: Flow, by Simon Baxter
Brian Northmore |
When I was asked to write this piece and given the freedom to choose any photograph, I chose the photographer first. It's the photographer who makes the image never the other way around. I admire Simon’s approach to photography. It is clear in what he says, how he works more
On Engagement with ‘Form’
Douglas Butler |
It is an approach that I have applied for some time and that has allowed me to start pursuing, as acclaimed American photographer Ralph Gibson puts it, a “visual signature” and to evolve the artistic outcomes I seek (and the methods by which I achieve those outcomes). more
Matt Oliver
Matt Oliver & Tim Parkin |
Above all, stay curious, walk around the next corner, over the distant hill; slow down, be patient and observe. I think all these processes have certainly helped me to keep learning and improving. more
My History with the Wetlands
Benjamin Dimmitt |
The Chassahowitzka National Wildlife Refuge is a very fragile, spring-fed estuary on Florida’s Gulf Coast, 70 miles north of Tampa. more
Calvin Chiu – Portrait of a Photographer
Matt Payne |
Calvin Chiu’s photography ultimately reflects his personal journey—a journey defined by a love for nature, a thirst for discovery, and a desire to share the world’s beauty with others. more
Dream Hunter – The Genesis
Nicolas Raspiengeas & Tim Parkin |
The process of printing my book has been a profound learning experience. From selecting the right printer and paper to deciding on the number of copies, I discovered a wealth of information over the past few months. more
Issue 318
Tim Parkin |
Click here to download issue 318 (high quality, 90Mb) Click here to download issue 318 (smaller download, 52Mb) more
End frame: Nuevo Laredo, Mexico 1996, by Alex Webb
Chris Pattison |
I have long admired this image, and it was the first one, not a landscape image, that popped into my mind after reading Charlotte's invite. more
Any Questions, with special guest Matt Payne
Matt Payne, Tim Parkin & Joe Cornish |
Episode Twelve features Matt Payne, and we had questions about competitions, Nature First, perceptions of photography, visualisation and more. more
4×4 Landscape Portfolios
David McCulloch, Henk Goossens, Terry Wier & Valentina Parente |
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by David McCulloch, Henk Goossens, Terry Wier & Valentina Parente. more
Songs of the Sea
Valentina Parente |
Everyone has a special place where the soul feels at home and you just breath the energy of that special place being at peace. more
Empty Spaces full of life
Terry Wier |
I was born in a desert region of the USA called the Permian Basin. Mostly desert, sand dunes and lots of oil wells. more
Above 4000 meter in Ladakh
Henk Goossens |
Ladakh has a fascinating mountain landscape with sand dunes, salt and freshwater lakes and some rivers such as the Shyok and Indus. more
Pendle Hill (mood and seasons)
David McCulloch |
Pendle Hill is a landmark steeped in legend, with the notorious witch trials of the 17th century painting the darker side of its history. more
Eric Busch
Eric Busch & Michéla Griffith |
Our conversation with Eric takes us from skateboarding in North America to South Korea and a fascination with traditional Chinese painting and poetry. more
on Geotagging, Gatekeeping, and Responsible Location Sharing in Landscape Photography
All good points, David. And you're right, the Vermillion Cliffs is a great example of this sort of thing. I love your take on photographing people in the landscape too. Good points!
- Matt Payne, 17:42 11th Decon Photographing the Simple Beauty of Nature
Apologies for the delayed reply, Paul - I was on my honeymoon! Thank you so much for sharing your point of view and supporting mine - I really appreciate it. At times it feels like our whole world is imploding at the moment, so those rare instances of awe are a [...]
- Mieke Boynton, 02:35 4th Dec
on What Makes a Great Photo?
I appreciate your comment, Keith. True, there is no way to know the photographer's true intent that day. However, I can say with complete certainty that had I witnessed a similar scene I would have happily passed up capturing it in favor of simply experiencing the moment. Regardless, I'm not picking [...]
- chris murray, 22:32 29th Nov