Arctic Europe is a vast and diverse region, but while the environments themselves can be quite different, from mountains and fells to taiga, tundra and the coast, there’s also a certain consistency in the kind of light, atmosphere and the sense of space. more →
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Chris Nowell, Joseph Heathcott, Tom Zimberoff & Lane Shipsey. more →
The starting point for this exhibition is a response to the previous mission statement of Leeds City Council, ‘Motorway City of the Seventies’, because it’s a series of works made in the neighbourhoods where that 1970s policy had a critical environmental impact. more →
Instead of recipes and rules, I found a framework: Once we, as photographers, have found a scene we want to turn into a photograph, we can layer and blend these concepts, choosing the best tools based on the subject we are photographing and the visual message we hope to convey. more →
He is interested in the moment when a dune ridge catches fire for thirty seconds at dusk, or when fog reduces a canyon wall to a suggestion, or when a single autumn leaf lands on rippled sand and becomes the only warm note in a composition of cool curves. more →
The fact that this wood has not been ‘farmed’ has, over time, allowed a rich and complex ecosystem to evolve, supporting the interconnection between trees, fungi, bryophytes, lichens, insects, birds and animals. more →
Theo Bosboom renders a surreal, caterpillar-woven landscape both believable and deeply affecting through an honest, subjective perspective that reveals the strange as something real, even if not fully understood. more →
In this conversation, Tim Parkin and Mark Littlejohn talk to photographer Joe Rainbow about his local landscape photography, artistic influences, and the mindful approach to capturing intimate scenes. Discover how his background in art and teaching informs his unique perspective on photography and the importance of limits and technical mastery.
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Lochaber includes a large area, from Spean Bridge in the North to Rannoch Moor in the South and from the Grampians in the East to the Small Isles in the West. more →
What I learn from the geometry and simplicity of architectural photography helps me see light and shape in the landscape. What I feel in a minimal landscape allows me to simplify my architectural photography. more →
I looked at the map I had brought, showing the route of Tolkien’s 1911 trek through the mountains. The group had started on the valley floor near Interlaken, then travelled through Lauterbrunnen and on toward the foot of the Eiger, which towers just under 4,000 metres. more →
Wow, super images Tim! I love the mossy boulder - you've given me some ideas for when I next see such a subject to photograph... Also the birch in the quarry, Loch Leven and "faux birch tree & bark" are lovely.
on The Pitfalls of Hero Worship
Hi there Chris! Nice to see your work! Inspiring as always.
- Krister Berg, 20:12 15th Maron 365 / February 2026
Wow, super images Tim! I love the mossy boulder - you've given me some ideas for when I next see such a subject to photograph... Also the birch in the quarry, Loch Leven and "faux birch tree & bark" are lovely.
- Adam Pierzchala, 14:32 14th Maron How Connected are we to our Local Landscapes?
Very well presented! Our surroundings are our world! Its always something interesting to be captured! Cheers!
- Fabio Rage, 22:54 11th Mar