Sella’s is often described as the mountaineer’s photographer. Many climbers have referred to Sella’s work in assisting them in planning how to approach a mountain, as the detail in his photographs is clear and informative. more
I am fascinated by subtle details, delicate light, and the intimate atmosphere of a place, seeking to convey the feeling of being fully present in the landscape rather than focusing on grandeur or spectacle. more
In this conversation, Tim Parkin and Joe Cornish talk to photographer Ted Leeming, exploring his journey from the Zero Footprint project to redefining his practice as a place-based photographer. more
I increasingly see myself as a place-based observer, asking questions through the lens as my chosen medium for conversing. In this context, images also express my wider interests in geography, plac more
February’s 365 challenge has sometimes needed a bit more effort to get out and about. The weather hasn’t been as ‘interesting’ for most of the month and it was very tempting just to stay inside. more
Critical in my growth as a photographer and artist has been educating myself on the work and philosophies of the giants on whose shoulders we stand. more
I had a sense of purpose, which was particularly helpful given the challenges I had been facing with my mental health due to the loss of my career and sight more
Click here to download issue 345 (high quality, 140Mb) Click here to download issue 345 (smaller download, 73Mb) more
Let creativity be the true driving force that transforms landscape and natural elements into art—not only for the photographer, but for each of us, rediscovering our personal ability to dream and interpret when confronted with such images. more
The last time Joe Cornish and I met up we were talking about Lightroom and how much it had changed since our original 'Creative Lightroom' series covering techniques and post processing creativity. more
I don’t know if anything can be worthy of summarising a life, but I know I can describe the small part where our spheres collided for a while and ask some friends for a few words. more
During my time with the Ciders, I often found myself deeply moved, sometimes to the point of tears, without understanding why. Later, after speaking with a Palawa elder, I gained a clearer understanding. more
What does it mean to really see, not just to look, but to feel a place as it drifts through memory and emotion? Where does perception end and imagination begin? more
A sense of mystery is a quality I strive to include in my imagery. In writing a rhetorical question provides interest and depth, in photography mystery is the rhetorical question. more
Click here to download issue 344 (high quality, 216Mb) Click here to download issue 344 (smaller download, 79Mb) more
Considering these many layers of interpretations, it feels almost as if the image is a statement on time: the smooth water surface indicates a long exposure. more
on Lightroom Insights
Would be interested to know if either of you have considered the adapative profiles for colour and mono. I realise from the video that Joe is using the landscape profile, but it would be interesting to see if anyone is using these new items in Lightroom's arsenal.
- andrewcooper, 21:26 26th Febon Trym Ivar Bergsmo
What a lovely epitaph for a lovely human who clearly had a connection to place. Wonderful work... which will sorely be missed.
- Matt Payne, 19:50 26th Febon Alberta’s Gold Beneath the Sky
Love this work, Joe - it's good to see a fellow Canadian on this site. (Mississauga, ON.)
- Bob Warren, 14:14 5th Feb