Issue 344
Tim Parkin |Click here to download issue 344 (high quality, 216Mb) Click here to download issue 344 (smaller download, 79Mb) more
Click here to download issue 344 (high quality, 216Mb) Click here to download issue 344 (smaller download, 79Mb) more
Considering these many layers of interpretations, it feels almost as if the image is a statement on time: the smooth water surface indicates a long exposure. more
I’ve restarted a practice I first tried about five years ago, taking one photograph a day for the whole of 2026. more
In this episode, Tim Parkin and Mark Littlejohn talk to Norman McCloskey about his journey from sports photography to becoming a renowned landscape photographer in Ireland. more
Resonance was described as a relationship based on action and intuition with a practical description of three modes: Iconic, Schematic, and Conceptual. This article looks beyond the surface for a deeper resonance in the spiritual domain and the role photography plays. more
After about three months, I had some initial images, but apart from the subject, I missed the coherence. The iceberg was one of them and triggered me. Not much later, the ice cave appeared, and that’s when the idea for the "Guilty Trashures" slowly took shape. more
The name Grindelwald reminded me of places not far from my own home in Wales, though here the landscape was on a grander scale. Turning off the main road, I drove deeper into the valley — into what felt unmistakably like Rivendell. more
Some might feel a better connection to the landscape when they use a tripod. It slows them down, their breathing steadies, and they can relax and see clearly. more
Click here to download issue 343 (high quality, 121Mb) Click here to download issue 343 (smaller download, 68Mb) more
The foreground spires in the photo seem to point to two cloud-filled couloirs of the mid-ground Taléfre, and their angle is identical to the massive couloirs of the north wall of the Grandes Jorasses, further back. more
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Goran Prvulovic, Kate Snow, Uwe Beutnagel-Buchner & Yasser Alaa Mobarak. more
El-Max Lighthouse in Alexandria stands as a quiet sentinel on the edge of the Mediterranean, where the sea meets history. more
These images are part of a running project which objective is to generate attention on preserving, rewilding and expanding native woodlands. more
Dario’s work reminds us that photography does not need to shout to be meaningful. Sometimes its greatest value lies in helping us listen more closely, to the landscape, to one another, and to ourselves. more
Over time, I’ve come to see Stillness. In Motion. not as a project, but as a journey of discovery. It was born out of change, guided by intuition, and shaped by the landscape itself. more
Through black and white imagery, the absence of colour is intentional: highlighting the form, contrast, and texture of ice and snow, and inviting viewers to contemplate not only the aesthetics of these remote landscapes but their vulnerability. more
on The Hypnosis of the Tripod
Many moons ago I came up with a mantra that I use all the time - with or without a tripod - which is, "think like a herbivore". Probably obvious what it means - keep scanning 360 degrees for opportunities. Trudging down a path, oblivious to what's happening behind me, has [...]
- Barry Edge, 20:46 31st Jan
on Eight Vignettes of Torridon
Thank you very much Adam, I appreciate the comments! The rain was something that I just had to accept and lean into. I even got hail showers on top of Beinn Dearg despite it being early September!
- Rob Henderson, 14:12 30th Janon Scotland’s Native Woodlands
Many thanks for your kind comment, Guy. Especially because it came from you.
- Uwe, 09:08 26th Jan