After about three months, I had some initial images, but apart from the subject, I missed the coherence. The iceberg was one of them and triggered me. Not much later, the ice cave appeared, and that’s when the idea for the "Guilty Trashures" slowly took shape. more
The name Grindelwald reminded me of places not far from my own home in Wales, though here the landscape was on a grander scale. Turning off the main road, I drove deeper into the valley — into what felt unmistakably like Rivendell. more
Some might feel a better connection to the landscape when they use a tripod. It slows them down, their breathing steadies, and they can relax and see clearly. more
Click here to download issue 343 (high quality, 121Mb) Click here to download issue 343 (smaller download, 68Mb) more
The foreground spires in the photo seem to point to two cloud-filled couloirs of the mid-ground Taléfre, and their angle is identical to the massive couloirs of the north wall of the Grandes Jorasses, further back. more
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Goran Prvulovic, Kate Snow, Uwe Beutnagel-Buchner & Yasser Alaa Mobarak. more
El-Max Lighthouse in Alexandria stands as a quiet sentinel on the edge of the Mediterranean, where the sea meets history. more
These images are part of a running project which objective is to generate attention on preserving, rewilding and expanding native woodlands. more
Dario’s work reminds us that photography does not need to shout to be meaningful. Sometimes its greatest value lies in helping us listen more closely, to the landscape, to one another, and to ourselves. more
Over time, I’ve come to see Stillness. In Motion. not as a project, but as a journey of discovery. It was born out of change, guided by intuition, and shaped by the landscape itself. more
Through black and white imagery, the absence of colour is intentional: highlighting the form, contrast, and texture of ice and snow, and inviting viewers to contemplate not only the aesthetics of these remote landscapes but their vulnerability. more
More than just mere farmland, Alberta’s yellow canola fields transform into a sight right out of a 20th-century impressionist painting. more
In the water, for me, it’s the wild days that are the most life affirming, in many ways. Where you have the strongest sense of the power of Mother Nature, and the visceral connection, I suspect we all have with her at some level. more
What did the trip ultimately bring me? First, a lot of enjoyment. It was wonderful to be completely focused on photography again for a few days, and without a group to guide or pressure to come home with good and usable images. more
This early fascination made returning inevitable, but as a student, travel required planning and compromise. Scotland’s free bus travel scheme for under 22s offered me both an opportunity and a challenge. more
Click here to download issue 342 (high quality, 151Mb) Click here to download issue 342 (smaller download, 102Mb) more
on The Hypnosis of the Tripod
Many moons ago I came up with a mantra that I use all the time - with or without a tripod - which is, "think like a herbivore". Probably obvious what it means - keep scanning 360 degrees for opportunities. Trudging down a path, oblivious to what's happening behind me, has [...]
- Barry Edge, 20:46 31st Jan
on Eight Vignettes of Torridon
Thank you very much Adam, I appreciate the comments! The rain was something that I just had to accept and lean into. I even got hail showers on top of Beinn Dearg despite it being early September!
- Rob Henderson, 14:12 30th Janon Scotland’s Native Woodlands
Many thanks for your kind comment, Guy. Especially because it came from you.
- Uwe, 09:08 26th Jan