Location guide - urban landscapes in London
As a London based photographer I have built up a detailed knowledge of the best places to make images of the city over years of practise. This summer, as you may have noticed there were one or two things going on in the capital raising its profile to lofty heights. This is my account of the last six weeks in our capital with a few pointers on creating collection of images different to any I had made before.
How I photograph London
I operate in a certain way. I like to create a large number of shots on any day and store them in my image bank. Although I will have ideas about how I want to use them as I shoot them, I leave a lot of decisions until much later, often months later. So I take a lot of shots to be stitched as panoramas, merged into HDR images, or “similars” so that I can decide on optimal composition at a later date. The key thing is that I create a number of high quality files from which I can work, on a project by project basis. This may make a lot of purists cringe, but it’s the way I like to work! My images often look much better to me months after they were shot.
I do a lot of night photography, so often the most important decision is where I want to be in the hour after sunset. This is a time of real opportunity. If skies are clear, then deep blue skies can be used as a backdrop to neon lit buildings. Its less important if skies are overcast, although its possible to play with colours at this time to great effect.
Once the twilight hour has been planned, I’ll fix the route of the day based upon all the other factors - how long I’ve got and how late I want to be out. I do much of my work along the River Thames so apart from weather conditions the tide plays an important part. It may surprise readers to know that you can walk along a lot of the River down on the Thames beach even in central London. Wear some decent footwear, though.
If I’m doing dawns I like to be on location an at least hour before sunrise for the best light of the day. It rules out much of the summer – from May to September - as I have a ninety minute journey. There are many spots along the River which benefit from first light. St Pauls from the Millennium Bridge, and Canary Wharf and Tower Bridge looking east instantly come to mind.
Whichever end of the day I choose I will try to visit at least three locations – often more - each trip. This is not difficult as many are close together. Then the results go on file until I decide to work on a particular subject when I will draw on the results of several shoots. This approach also helps with client work. If I’m asked to supply images of, say, Albert Bridge, I have a large collection to draw from.
About London in 2012
So to London in 2012. I had expected the games to produce a wonderful sporting spectacle, but had not anticipated the transformation of the city and particularly the River Thames that would take place during August and September.
Once I realised how the city would decorate itself, my summer was dominated by using the weather and locations available to try to capture some London’s attractions.
I was bowled over by project dazzle – a light show along the river - from the first time I saw it till the last. Seven bridges between Hungerford and Tower were lit beautifully. At sunset they would be illuminated, then on the hour there was a light show at each location, lasting for fifteen minutes. But this was not any old light show. The city was transformed by spectacular colours. Participating bridges were Hungerford / Jubilee, Waterloo, Blackfriars, Millennium, Southwark, London and Tower. You sort of new that Tower Bridge would dress up well, but seeing Waterloo and London Bridges looking so good was quite a shock.
I walked the river on numerous occasions. Once I realised how great the transformation would be it was a case of planning numerous trips and making the most of conditions. The lights were timetabled, so it was a case of covering each bridge a few times on different days.
And the highlight? Undoubtedly the rapidly changing colours of Tower Bridge. In fifteen minutes the lighting must have changed a hundred times or more. And I don’t mean subtle changes – colours went from red to blue to green to orange to yellow to brown and back again over and over again.
Another great experience was the closing ceremony of the Olympic Games. I had spoken to Newham Council about opportunities for photographing the Olympic Stadium. I bought a viewing package on the night of the ceremony to photograph nightfall over Stratford, and another spectacular light show at the stadium.
The London Olympics exceeded everyone’s expectations. The way the city was illuminated massively exceeded mine.
Shooting London’s sights
I’ve included a few pointers about every day opportunities to shoot some great London locations:
Location |
Shoot from |
Buckingham Palace |
From St James Park in |
London Eye |
From Westminster Bridge |
Tower Bridge |
Tower Bridge is either
|
St Pauls Cathedral |
From the southern end of |
Canary Wharf |
From outside the O2 |
Houses of Parliament |
From Lambeth Bridge or |
Millennium Dome |
From the waterfront |
The Tower of London |
From the front of More |
Westminster Abbey |
Difficult! Best from the |
City Skyline |
From the East side of |
Trafalgar Square |
Anytime. It’s a big open |
Westminster |
There are fabulous great
|
Other considerations
• There is a lot of traffic in London. You might want light trails from bridge road traffic or boats on the Thames, but you might not. So prepare to be patient.
• The tide is a major factor. It transforms the river, so check tide tables so you know what you will be dealing with.
• If you want reflections, you need an early morning and some luck, or later in the day when the city is floodlit.
You can see more of Martin Smith's images at his website