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Issue 161 PDF
Browse On Landscape on your Tablet, iPad or Desktop
Capture One for Landscape – Part Two
An Example Workflow
End frame: The Arctic National Wildlife Refuge, Alaska (2009) ~ Sebastiao Salgado
Vladimír Kysela chooses one of his favourite images
Subscribers 4×4 Portfolios
Clayton Hairs, Daniel Howarth, Helen Storer & Roman Gieruć
Vision 9 Exhibition Review
A Review of a Recent Exhibition at the OXO Gallery in London
Permanence and mutations of the landscape
Time | Space | Places
Shona Grant
Featured Photographer
The Humanless Condition
On Introversion, Solitude, and Photography
Richmond Park
A new semi-permanent display
From Realism to Abstraction
The interpretation of a place
Fotospeed’s Foto Fest Central – 15th July 2018
Ahead of his talk Mark Littlejohn shares his thoughts on ‘atmosphere’

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Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

It’s June the sixteenth and nearly midsummer. As I look out of the window I remember a couple of months earlier in the year when I was a landscape photographer. The rich greenery outside and the weather flip-flopping between blazing alpine sunshine and typical Highland dreich ‘air bathing’ is doing little to engage my creative mind. Walking, DIY, climbing and reading are my spare time activities. What happened? Well I was taking a photograph every day at one point but a trip to Torridon disturbed the flow and once you’ve stopped something like this it becomes much harder to start again. I’ve also sold some camera equipment in order to upgrade and haven’t quite managed to do so yet. “I’ll start again once I’ve got the equipment”, I tell myself, knowing a blatant excuse when I hear it.

I could get down about the situation. I’m such a lazy arse, I have no commitment, I’m no good anyway, but I know I will start again at some point and the embers of my passion will flare once more. No point in trying to push things, but I also know that things need a jump start occasionally. Then Joe Cornish pays us a visit and we both go on a long walk around the Three Sisters and up to Bidean, talking photography, politics and geology along the way and as I use Charlotte’s camera and a couple of prime lenses I start to get that familiar buzz back. Nothing major, and certainly nothing really to show for it apart from a few postcard moments but it’s a step in the right direction.

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Tim Parkin

Content Issue One Hundred and Sixty One
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Issue 161 PDF

It’s June the sixteenth and nearly midsummer. As I look out of the window I remember a couple of months earlier in the year when I was a landscape photographer. more

Comments

Capture One for Landscape – Part Two

In our second and third instalments of our Capture One for Landscape series, Joe looks at a few of his images from a recent trip to the Isle of Eigg in the Scottish Inner Hebrides. more

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End frame: The Arctic National Wildlife Refuge, Alaska (2009) ~ Sebastiao Salgado

You can feel the depth and breadth of the valley, its old age as if it were from time immemorial as if we were looking at the moment of the birth of our planet. more

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Subscribers 4×4 Portfolios

Our 4x4 feature is a set of 4 landscape photography portfolios from our subscribers: Clayton Hairs, Daniel Howarth, Helen Storer & Roman Gieruć more

Vision9 _landscape_photography_exhibition_1
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Vision 9 Exhibition Review

Vision 9, at the J-shaped Oxo gallery in London, showed the work of nine photographers, each having their own unique style. more

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Permanence and mutations of the landscape

These photo series consist of these juxtaposed elements, may they are physical (the landscape, the habitat), time-related (ancient, new) or symbolic (sacred, profane). more

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Shona Grant

There’s been a resurgence in interest in artists’ books among landscape photographers recently. There is too the possibility that the book itself can become a thing of beauty and it’s been a pleasure to see the images that Shona Grant has been sharing of her creations. more

Guy Tal ~ The Humanless Condition 2
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The Humanless Condition

For an introvert, it is likely that the quality and experience of photography may be impeded by the not-uncommon tendency to practice photography in groups, or in places where escaping the presence, chatter, and behaviour of others is difficult. more

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Richmond Park

A new semi-permanent display opens this Friday in Richmond Park featuring 18 of my landscape photographs. more

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From Realism to Abstraction

Once we’ve got to grips with some techniques we might start to look for own individual style. Many photographers are content to hone their skills and search for the elusive moments of light and conditions that will produce a new interpretation of a classic location. more

Mark Littlejohn ~ Secret Life of Trees
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Fotospeed’s Foto Fest Central – 15th July 2018

Fotospeed’s Foto Fest Central plays host to five of the best British photographers. Ahead of his talk, Mark Littlejohn shares his thoughts on ‘atmosphere’ and how a little bit of thought can go a long way more

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