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Nigel Danson
After a life changing experience in Yosemite National Park, he left behind a successful corporate career to follow his love of landscape photography. Today, Nigel is known for his painterly woodland scenes, his inspiring YouTube channel with half a million followers, and his commitment to sustainable, meaningful creative practice. In this conversation, he reflects on rediscovering joy through photography, the value of printing, the collaboration with Fotospeed developing the Natural Smooth 310 paper, and his ongoing mission to capture every more
Navigating the Currents of Art and Science
More recently, some scientists are focusing on links between science and art. For example, natural scientists in the “SciArt” community are creating art using photographs of scientific processes and phenomena, with the goal of making science more interesting for the wider public. more
Natural Landscape Photography Awards 2025
Every year since year two, we have tried to include some ‘special awards’. There were created for a few different reasons. Primarily to ensure that certain classes of image that may be under or over represented in the main categories can have a focused outlet. E.g. in the first year we included Rocks & Geology, Trees & Forests, Snow & Ice, Mountains and Rivers & Seas. These just seemed to be some core subjects to include. We also an more
4×4 Landscape Portfolios
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Franz Gisin, Goran Prvulovic, Kenny Muir & Tom Zimberoff more
The Giant Camera at Land’s End, San Francisco
The liminal interface of seawater, sand, and sky inspires a construct of consciousness, the space in which everything appears, the light by which everything is seen. It beckons my camera. more
Ancient Birch Woodland – a seasonal study
I'm not really a bucket list person. I often find myself at the same locations, where every visit reveals something new. This is a short series of 4 images taken in a local ancient birch woodland across the seasons. more
Watershed
While just a small part, this river is part of a bigger watershed I’ve explored many times. Constantly changing with the seasons, this spot is never the same yearly. more
California’s Auburn SRA (State Recreational Area)
In this case, California's Auburn SRA (State Recreational Area), where the intersection of two Sierra Nevada mountain canyons allows the north and middle forks of the American River to merge. more
Michael Kenna’s Darkroom Diaries
Today, in the third of five chapters from his Darkroom Diaries, Michael focuses on grain, cropping and toning. more
Sea
One of my favourite images in the book is of Roker Pier. Not because it’s technically my best, or because it’s sold well, but because of the memory it holds. After Mum’s diagnosis, when she could still walk, I took her to places she’d never been. more
Subscribers Gallery
Following on from Tim’s article about Aspen (Populus tremuloides) in Issue 336, we’ve received a wide range of responses. The images explore the species from different perspectives — from detailed studies of bark and leaf to wider views showing aspen in its landscape. more
Mons Graupius, Allegoria Exhibition
An exhibition of historically themed landscape photography at the Trimontium Museum, Melrose, Scotland. From 11th September 2025 until 11th November 2025. more
Preservation: A Tribute to the Beauty We Might Lose
Around the globe, landscapes are changing at unprecedented speed—reshaped by the accelerating forces of climate change, human intervention, and shifting ecological balances. more
Michael Kenna’s Darkroom Diaries
In the second of five chapters serialising Michael Kenna’s darkroom diaries, we hear Michael discuss the work that he does to interpret each negative, and we see photographs of Michael at work in his darkroom in Seattle, USA. more
Larry Monczka and Kathleen Pickard
We wanted to find out what they have been up to in the intervening period, and as it happens, the timing of our request for a Revisited interview coincided with their own review of practice and images. more