Join the conversation
Subcribe to comment rss feed
Winter Trees
I found a book that seemed appropriate: Winter Trees, of Sylvia Plath. As I read the first stanza of the poem Winter Trees, suddenly, I saw the portfolio. more
Jane Fulton Alt
Much of Jane’s work evolves around cycles of life; whether we recognise it or not photography is both a response and an antidote for us all to personal circumstances as well as those that impinge upon our existence. more
Winter Trees
Cottonwood trees grow there and show lovely, soft spring green leaves as the season begins, and develop a deep rich green that contrasts with the dark red sandstone walls. more
A Last Interview with Richard White
The interview below is the final transcription of that dialogue with Richard. It's taken us a few months to be able to process this interview, as we recognise what it represents. more
The Wounded Hill
Titterstone Clee Hill is an iconic and much-loved feature of South Shropshire, looming above the medieval market town of Ludlow. more
Moving Times
I began to experiment a little. How could it be possible to give the photographs the dynamics that such a storm normally produces? How would it be possible to generate wind and rain on a dry day? more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Christoph Geiss, Mihai Fagadar Cosma, Roy Money & Steven Cutts more
In place
Living in “the Land of the Free”, we haven’t really been under a “lockdown”. Nevertheless, at some point, our governor encouraged us to stay at home, and my College has been closed since mid-March. I more
Expressions of Ice
Maybe also because the famous Aurora eluded me during my stay, I have found the ice formations of the Icelandic landscape to be one of its most impressive and distinctive features. more
A Closer Look
These photographs are from an artist residency at Weir Farm, a National Historic Site in Connecticut, USA. more
Hidden Details
While I enjoy being out in inspiring landscapes I tend to photograph the patterns, textures and subtleties of a place. more
Escaping Oblivion
The emotional and psychological uplifting, the mental elevation you will feel when you find that true connection with your subject is far superior to the ephemeral appraisal of a well-constructed image that will be forgotten in the oblivion most photographers live in today. more
Close to home
I live in a place where the scenery makes it almost impossible to take a bad photograph and so, I finally did some stern self-admonishing and made a deliberate effort to try and see the village differently and shoot nearer home. more
Photo Book Making
A handmade book can be a beautiful and tangible embodiment of the passion, love and enthusiasm we have for our landscapes and how we choose to present them more
Lost and Found, an interview with Kimberly Schneider
We got an email from Kimberly at the beginning of June to say she’d set up her darkroom again and started experiment with photograms. more