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Reflections of a Street Light

Living in an urban environment, being surrounded by technology and human made structures has made me contemplate if our own thoughts and actions are an element of wildness itself rather than an opposing force. more

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Stéphane Jean

In the beginning, the outcome was definitely my main focus at all times, but being more seasoned and confident now, allowing myself to relax and better tune in with my surroundings, I’d say that it has become about equal in importance to the experience. more

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A Brief Rant About Film

Once, as a society, we cherished the “Kodak Moment,” a marketing masterstroke that now feels quaint, a victim of what I’ll call photobesity: a deluge of snapshots made so mindlessly and frequently that they’ve devolved into pullulating yottabytes of digital dross. more

Hillside Fence, Study 2, Teshikaga, Hokkaido, Japan. 2002
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Michael Kenna’s Darkroom Diaries: Part 1

Michael will discuss his process of photographing on film and will explain the patient and painstaking work of making prints by hand in his darkroom. more

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Personal Photography

Photography is a technology based medium produced by a technological society with a reason-focused worldview. It contains two temptations: decoration and propaganda. However, I propose an attitude that promotes expression. more

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From Across the Ravine

Most trees demand more than one meeting to make their best photograph, and, just as with people, sometimes the truest friends are not the ones who dazzle you at first but the ones who invite you to keep looking and listening. more

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End frame: A Winter Coral by Trym Ivar Bergsmo

‘A winter coral’ is not exactly a landscape photograph. Yet, somehow, it evokes so much of what, to me, makes great landscape photography. Trym Ivar Bergsmo was, in his own words, of the North. more

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4×4 Landscape Portfolios

Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Graeme Darling, Leo Catana, Robert Hewitt & Ronald Lake more

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Poplars in Morocco’s Ounila Valley

The Asif Ounila River in Morocco runs southward from the Atlas Mountains through a very narrow valley that once was a route for caravans traveling between the Sahara and Marrakech. more

Welsh Dragon
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Humour in the landscape

Have you ever played a game of visualising living things in clouds, mountains or landscape? Somewhere, I started a small project, which is ongoing, of recording the humorous scenes in woodland which I came across in my walks or photoshoots. more

2 Leo Catana, Feb. 15, 2025
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Northern Scandinavia

The flow and slowness of this massive landscape was fascinating and moving. more

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The River Bed

I made the decision around six years ago to purchase a drone when I could not decide which lens to buy for the camera as I realised I was going to a different locations taking a similar composition of a similar subject and it was time to experiment. The drone gives me a unique view and perspective and a sense of freedom. more

Wabi Sabi
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Technology advance and evolutionary adaptation or why it is all about harmony (for me)

Here, I would like to pick up on one of those themes, expressed by Vilém Flusser (1920-1991) back in pre-digital days, about how, as photographers, we are all (to a greater or lesser extent) functionaries in the development of the photographic industry as part of the capitalist technological industrial complex. more

Unterwegs In Den Dünen Der Rub Al Khali, Oman.
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Desert: sand, dunes and intangible vastness

This region became famous through travelogues such as “Arabian Sands” or “The Wells of the Desert” by Sir Wilfred Thesiger (1910 - 2003). He was one of the first Europeans to cross this desert between 1947 and 1950. more

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Marc Wilson, The Edge of Ruin

We interviewed Marc Wilson at the Royal Armouries way back in 2013 when he was out promoting his Last Stand book on the relics of wars. He's currently promoting a Kickstarter campaign to help in the publication a new and predominantly landscape project about the relics of our industrial past. We asked him a few questions about the project. Can you give us a short summary of how you found yourself on the verge of going to print with more

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