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Jonathan Brown
We’re all judged on our images, often all too fleetingly, yet it is the connections that we make and the conversations that occur that can prove to be the most informative. more
36 Megapixels vs 6×7 Velvia
Over a year ago now we carried out various tests of medium format digital camera systems and film camera systems. The results, whilst interesting, didn’t tell us a whole lot about 35mm digital camera systems. more
Weald – David Higgs
I have known David and admired his work for a few years now though our mutual connection with the filmwasters.com forum. During that time I have followed the progress of David’s 5 year project to capture the essence of the Sussex Weald and was eagerly awaiting the culmination of this project - an exhibition of 51 superb platinum/palladium prints at the Ashdown Forest Visitors Centre. While I was hoping to more
The Problem with Photography Journalism
Landscape photography receives little wholly positive press in the newspapers but most coverage of photography in general is neutral to positive. However, over the last few weeks a certain journalist from The Guardian seems to have taken the reins from Brian Sewell and ridden full blast into the anti-photography hall of fame. Jonathan Jones started his little escapade with the subtley titled “Flat, soulless and stupid: why photographs don’t work in art galleries” In this essay he has some great quotes on photography more
Taste and Landscape Photography
As you may already know from the interviews we have done with him, Mark Littlejohn was voted as the Take a View Landscape Photographer of the Year. The picture chosen was one that gathered quite a lot of praise online from many people who have previously criticised the competition (including me) but to say it was universally acclaimed is a stretch considering some of the quite vociferous abuse it has received on Facebook. more
Overexposure
If we, as artists, fail to make such investments in learning the history and traditions of our medium, and in the appreciation of worthy photographic works offering more than the simple feats of dazzling viewers with color or views of exotic locations, how can we hope that others will? more
Above and Below by Hans Strand
The key to the success of Hans' pictures are their beautifully balanced compositions. more
Autumnal Notes
I decided to make a foray into my local woods last weekend (5th October), my first visit for quite some months. The forecast was promising – clearing skies, a drop in temperature and no wind. As predicted there was a light ground frost, low lying mist with a promise of post dawn streams of light. Three hours later I was driving back home with a warm glow and eager to download the fruits of my labour. more
Wood Week – Exhibition and Talk
From 6.00pm – 7.15pm on Friday 17 October Joe Cornish will be in conversation with contributing photographers including Tim Parkin, Dav Thomas, Stuart Royse, Lizzie Shepherd, Paul Harris and John Irvine. The exhibition of prints from these photographers will continue until Saturday the 8th of November. Bolehill - Tim Parkin more
UK’s Largest Platinum Exhibition
David Higgs' latest exhibition, entitled 'Weald', opens on November 8th. The culmination of a 5 year exploration of the hills, ghylls, heaths and ancient woodland he calls home, David has hand printed over 50 images in platinum. The exhibition runs until the end of March 2015, with the private view between 2-4pm on Saturday November 8th (OL members welcome). You can see more of David's exhibition images at his website more
Joe Cornish Talks
Joe Cornish has had very little time to give talks in the last couple of years. So you might like to know that he is doing a special one-off evening event in London at the Royal Geographical Society on Friday October 24th. Joe would be delighted to see you there. You can get tickets at the Wildscreen Photography Festival website. Joe will also be hosting the Natural more
On Landscape Photography Conference
Tim: Hello and welcome to On Landscape. I’m here with David Ward, in On Landscape’s Living Room, and we’re just going to talk a little bit about the upcoming conference in November, because David is not only speaking, but helping to organise it, aren’t you David? David: I am, which is really exciting. Do I get to wear a dinner jacket on the night itself? Tim: I think for the evening more
In praise of Summer
Let’s be honest, summer gets a raw deal from us photographers. Of the seasons, summer is the one that has for us, on the face of it, fewest qualities and the greatest number of perceived down sides. Up until this last season, and I shouldn’t be quite so rash to talk in the past tense as we are still in August, I would be one more voice proclaiming “everything is just green”, “sunrise is too early”, “there are too more
Paul Harris
Paul Harris was born and grew up in Hackney, east London. After a variety of jobs he became a professional photographer, then Multiple Sclerosis put him in a wheelchair and now Marian, his wife of nearly 30 years, takes him on photo trips every week and they explore the lovely countryside, villages and coastlines of NE Essex and south Suffolk. I was taught b&w processing at school. I took my Brownie more
Digital Negative / Digital Print
Since starting On Landscape I've mostly been reviewing either portfolio style books or new releases. I'd like to take a little departure from this to review a book I've had for a while now and which keeps catching the corner of my eye as it sits permanently on my desk. To begin with though, I'd like to introduce the author as it's his pedigree and knowledge that make this such an excellent resource. Jeff Schewe Jeff Schewe graduated from Rochester Institute of more