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A Boscage of Birch
Just under a year ago, I started hatching a plan for a photography project which would not only be different from my previous work but would provide a genuine challenge. more
Exporting for Accurate Colour
David Clapp follows on from our short article last issue about icc profiles with a look at gamut and how you can ensure that your pictures don't clip colours. more
Scotland’s Fifty Finest Mountains
The book, "Scotland's Fifty Finest Mountains, A Photographic Exploration" is a great fit for John's ethos and approach. Choosing the top fifty was always going to be a challenge though and it sounds like this wasn't settled until just prior to print. more
Jim Robertson
Jim Robertson featured in our 4x4 portfolio recently and I asked him if he could answer some questions for our featured photographer section more
4×4 Portfolio
Our new feature this issue is 4x4, a set of four mini portfolios each consisting of four images related in some way. If you would like to submit your own 4x4 portfolio please visit this page for submission information. Adam Pierzchala Harvey Lloyd-Thomas Julian Love Vanda Ralevska more
Bluebells
Bluebells: such a quintessentially British flower that gives so much joy to so many of us. I read somewhere that Britain hosts as much as 30% of the world’s bluebells; no wonder then that they are such a popular photographic subject for happy snappers and serious pros alike. Creating a novel image of bluebells has become very difficult, but nevertheless I set myself the goal of producing something that I had not seen already. Having struggled with the most more
Sun on Rum
A set of images attempting to dispel the myth that it is not possible to make worthwhile landscape photographs under harsh overhead sun. On a trip to the Small Isles of Scotland, we visited by boat the remote beach of Bagh Rubha Mhoil Ruaidh on the north-east side of Rum. I literally turned my back on the views of the Black Cuillin across the water on Skye and for several hours concentrated on the 100 metres or so stretch of beach. more
Lewis and Harris
Some seascapes I shot while visiting friends on the Isle of Lewis over Easter. more
After the Rain
I know how much a lot of people don't like rain. However as a photographer, there are a lot of times when I am really grateful for it. It makes everything so fresh, all colours suddenly become much more vibrant and little details come alive. And if you get a little bit of mist as well, you get perfect conditions for taking atmospheric photographs. more
Distant Horizons
Researching the history of this particular ‘meme’ has been a fascinating journey back through time and one that has made me taught me much about the communication of artistic ideas through the ages. more
David Ward – 10 Photographs
We’re here with David Ward and he’s allowed us to take a look through a few of his pictures and we will be discussing a few 'pertinents' about them here and there. more
Interview with Paul Whiting
This issue we're talking to Paul Whiting who won the Amateur Photographer of the Year competition in 2005. more
Understanding Input and Output ICC Profiles
One of the things that puzzles people more than any other in colour management, printing and scanning, is just what icc profiles are and do. more
Dave Parry
Dave Parry reviewed the Chamonix 045F1 in our last issue and we thought we'd ask him about his own photography and how he occasionally combines his love of climbing and landscape to make great environmental portraits. more
Is Adobe Creative Cloud Bad For Photographers?
Well, yes. And no. As usual, it depends on your perspective, what your current and future usage of Photoshop is likely to be, what other services you may need from Adobe and how you organise your photographic library. more