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Sun on Rum
A set of images attempting to dispel the myth that it is not possible to make worthwhile landscape photographs under harsh overhead sun. On a trip to the Small Isles of Scotland, we visited by boat the remote beach of Bagh Rubha Mhoil Ruaidh on the north-east side of Rum. I literally turned my back on the views of the Black Cuillin across the water on Skye and for several hours concentrated on the 100 metres or so stretch of beach. more
Lewis and Harris
Some seascapes I shot while visiting friends on the Isle of Lewis over Easter. more
After the Rain
I know how much a lot of people don't like rain. However as a photographer, there are a lot of times when I am really grateful for it. It makes everything so fresh, all colours suddenly become much more vibrant and little details come alive. And if you get a little bit of mist as well, you get perfect conditions for taking atmospheric photographs. more
Distant Horizons
Researching the history of this particular ‘meme’ has been a fascinating journey back through time and one that has made me taught me much about the communication of artistic ideas through the ages. more
David Ward – 10 Photographs
We’re here with David Ward and he’s allowed us to take a look through a few of his pictures and we will be discussing a few 'pertinents' about them here and there. more
Interview with Paul Whiting
This issue we're talking to Paul Whiting who won the Amateur Photographer of the Year competition in 2005. more
Understanding Input and Output ICC Profiles
One of the things that puzzles people more than any other in colour management, printing and scanning, is just what icc profiles are and do. more
Dave Parry
Dave Parry reviewed the Chamonix 045F1 in our last issue and we thought we'd ask him about his own photography and how he occasionally combines his love of climbing and landscape to make great environmental portraits. more
Is Adobe Creative Cloud Bad For Photographers?
Well, yes. And no. As usual, it depends on your perspective, what your current and future usage of Photoshop is likely to be, what other services you may need from Adobe and how you organise your photographic library. more
Camera Survey
Just over a month ago we asked our readers to tell us what cameras they used for their landscape photography and we had a great response. We've spent a bit of time analysing the results (my programming skills come in useful still occasionally) and here they are! more
Seeing the wood for the trees
Firstly, shake loose the shackles of landscape photography composition rules, forget about foreground interest unless it is going to be a main feature of the photo. more
Plustek Opticfilm 120
Plustek announced a new competitor in this arena over a year ago, but it was only at the start of the year that units were getting into people’s hands. more
Joe Cornish Processing Loch Maree
We've had a few requests for more post processing videos and the last time we had Joe Cornish in the office we asked him to talk through one of his recent images from a workshop. more
Chamonix 045F1
The camera is still ultralightweight and compact when packed. I suspect a user of an N model would be able to replace it in their camera bag with an F1 and not notice any appreciable change in weight or bulk. more
Platinum in Genesis
A lot of Salgado's images rely on the impact of high density prints, and whilst credit must go to 31 Studio for producing outstanding platinum work more