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End frame: Cape Light – Joel Meyerowitz
We are all exposed to a massive amount of photography, growing at an exponential rate, but how many of these images ever really stick with us? How many have the profound effect that the artist probably hoped for? How many times have you viewed an image that changed your life? more
Portrait of a Photographer – Eric Bennett
It has become quite apparent to me that Eric’s goal with his photography is purely selfless – he wishes to inspire the world to take better care of wild places. more
Is Pictorialism a dirty word?
Is it a style of photography that you look down on? It is associated with a particular period, but we are still influenced by it. more
End frame: ‘Iona Sun’ by Paul Kenny
When asked to write for the End Frame section of On Landscape, one artist that sprung to mind among many of my favourites was Paul Kenny and especially the image ‘Iona Sun’. more
Nature Without and Within
I have come to think of my photographic approach as that of losing myself to the experience of seeing, where seeing includes other senses, as well as that of the eyes. more
Huibo Hou
Huibo’s image of the Witch’s Finger (Trølkonufingur) in the Faroe Islands is a great example of emotive feeling exploding out of an image. To say it’s got drama is to do it a disservice. The view here is epic, monumental, awesome in the Burkian sense of the sublime. more
End frame: Rock, Water and Tree, Cascade Falls, Yosemite 2011 by William Neill
The delicious curving lead from the bottom left is beautifully revealed at this speed and water volume. It fulfils its role perfectly and draws the viewer through the image to the beautiful split rock. more
The Hydrocarbon Forest
In the case of the Allegheny, private access to mineral rights covers 93 percent of the forest area. The impact has been profound. Maps from the 1930s show a dense grid of oil wells stretching for many miles. more
End frame: Black Lightning by Peter Jarver
I’d never seen storm images like that before, and I wanted to learn how. It took years of time, many disappointments, a few cameras, and a lot of getting wet, to develop an approach that works most of the time. more
Portrait of a Photographer – Cecil Whitt
Cecil and his work exemplify the mysteries of the desert Southwest and conjure up a wide variety of emotions and ideas including solitude, surprise, serenity, rugged individualism, grit, determination, exploration, and optimism. more
The Sublimity of Toxic Beauty
As I then read up about the Terminal Mirage 2, 2003, I discovered that I was looking at an aerial photograph of Utah’s Great Salt Lake. more
End Frame: Wyoming, Train and Car, 1954 by Elliott Erwitt
The first thing that draws my attention is the billowing smoke from the locomotive, then the locomotive itself, and the line of freight cars seemingly stretching to the mountains. more
Learning from Others
Being in "lockdown" (or quarantine, whatever you decide to call it), has created lots of time to reflect on the photographic practice of other photographers who inspire me. more
Phases
Continual growth and development as a product of the evolution of vision is a constant among all serious photographers and artists in general. However, there is a difference between evolution of vision and “finding” one’s vision. more
End frame: Fluitenkruid – Nel Talen
I first encountered Nel’s work through the International Garden Photographer of the Year competition. She was a finalist in the creative category with a very delicate, ethereal composition that immediately resonated with me. more