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Spirit of Place
I believe that landscape photographers should develop a more holistic, interdisciplinary approach in their technique. more
The Fractal Factor
The physiological resonance that happens when the fractal structure of our bodies and the search patterns of our eyes match up with the fractals in front of them explains why we might experience such a high degree of stress-relief when looking at natural things, whether in real life or in images. more
End frame: Scots pines silhouetted at sunrise, Loch Maree, Scotland by Peter Cairns
For me, this photo symbolizes the message that Peter Cairns wants to convey with his book and his lectures (more on this later): Nature in Scotland is still beautiful, but has been considerably stripped down. more
Reflecting on Minimalism
Perhaps the most convincing argument is that sometimes abstraction from all the complexity of the real world simply produces a magical result, a form of relief from all the distractions of daily life and Brexit. more
The Beara Peninsula
When Norman McCloskey started photographing The Beara Peninsula 25 years ago, little did he know that this project would inspire him and change his life in more ways than he could ever realise. more
End frame: Copper Beech, Stourhead, Wiltshire by Fay Godwin
The imperfect reflections, the asymmetry, the dark hanging branches, and the calm surface of the lake beyond combine to create a peaceful yet brooding atmosphere. more
Into the Landscape
Photography of the 'inner landscape' can be rewarding as a sole response or as part of a study of several reactions to a location and in doing so, it expands the narrative. more
End Frame: Paved path above Lumbutts, near Todmorden, West Yorkshire by Fay Godwin
Most of the poems in Elmet were written by Hughes in collaboration with Fay Godwin, who provided the stunning black and white photographs of this part of Yorkshire where Hughes grew up. more
Wall
The wall skirts around Gameshope Glen in a horseshoe ending not far from where it started, close to Talla Reservoir, a couple of miles east of the Tweed Valley. more
On the physics of caustic light in water
I like to make images of water in its various forms, but particularly the interaction of light and flowing water in streams and rivers. The attraction in making many of these images is often the points and lines of concentrated light that make the surface sparkle more
End frame: Untitled 2008/09 by Bill Henson
The eye searching for detail wants to automatically aim straight for the lovely rich cloud on the left but as soon as it does you want to explore further. more
Being There
Put another way, it's the journey that counts, not the destination. Personally, I think that applies to photography too. more
End frame: ‘Shadows on the wall, Firostephani’ by Clive Minnitt
The angle used perfectly displays the design of the composition - the ever important gap between the terracotta vessel and the edge of the staircase. more
Changing Perceptions in Landscape Photography
If the message is meant to raise awareness or be a call to action, then the photographer is best served by also adopting behaviours and strategies that support the veracity of their narratives. more
Faroese Visions
The Faroe Islands in May 2018 ~ a selection of their "favourite four" as chosen by each of them, illustrating the variety of styles in their group, as well as the different subjects and locations that caught their attention. more