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End frame: Mokoto Pass by Paul Gallagher
The trees are like three actors, with the central one taking the ‘Oscar’. The others have supporting roles but are critical in the achieving the dynamic balance this image has. more
End frame: Zen Shadows in Snow by Nicholas Bell
Beyond aesthetics, Nicholas’s work embodies the qualities that I value and strive for in my own photography. Subtlety, nuance, simplicity, and stillness are all traits that characterize his work. more
Printing With Carbon Inks
North Atlantic Cost of Spain: Dancer I learned to print on a Canon ImagePROGRAF PRO-1000: screen profiling, print adjustments using Red River ICC files, even some custom profiling. When I switched from color to black and white, it did not take long to realize that a printer designed for color, even with today’s technology, has its limitations. When I met Michael Gordon at his workshop in Death more
End frame: Weir, Hollyford River, Fijordland by Tony Bridge
The way that light sculpts the different areas of the image creates interest throughout the image and allows the eye to be guided to fall with the water through the image. more
End frame: On the Hill by Renate Wasinger
This aesthetic is something present in many of her photographs. She consistently captures a certain mood, whether it’s in snow or fog, urban or rural settings, minimalist scenes. more
End frame: Inverted Shadow by Jon Brock
We photographers depend on what we find, but also what technical means are at our disposal – our own skills, focal length of lenses, perspective control and so on. more
The Art of Aerial Photography
It seems the abstract nature of the subject matter allows more people to read something into the shapes and colours, making a personal connection for them even though they had never visited the locations. more
End frame: Karakoram Mountains, Vittorio Sella
It is fair to say that when I first laid eyes on this image taken by Vittorio Sella in 1909, it captivated my imagination like few others. In 2000, Aperture published the book Summit which showcased many of Vittorio’s stunning mountain photographs. more
Hidden Waters
My aim is to convey their susceptibility to loss because of human activities. By spotlighting the few remaining springs before they are gone, I want this work to reflect their value and precarious predicament while encouraging a call to action. The future is up to us. more
End frame: Nefyn by Pete Hyde
I can't exactly remember how I came across it but I immediately got amazed by that sense of getting lost in emotions that you can feel in each of his pictures. more
End frame: Incoming by Andy Bell
How can I sum up the Andy’s sea work? There is wilderness. Isolation. Power. And above energy, all to reflect the sea being at the edge of change. more
The Jawbone and the Element of Surprise
Sometimes, the most captivating images emerge only when we resign ourselves to the possibility of not finding anything at all. Perhaps it is in these moments that we are truly open to being surprised. more
End frame: The sum of its parts ‘Dalí Atomicus’ by Philippe Halsman
As someone who initially began their introduction to the world of art via the traditional mediums of oil and charcoal I’ve always been drawn to work that connects the historical and traditional to the relatively modern advances of image capture and editing. more
End frame: ‘Point 660 2’ by Olaf Otto Becker
One of the things that really struck me about this image was the almost theatrical juxtaposition of the figures somewhat inappropriately dressed, standing on the Glacier, almost oblivious to the environmental crisis it is facing. more
End frame: Blue Lake Creek by Peter Dombrovskis
There are very few pictures of Peter in the field working with his camera, but Colin made two photographs that day – one of Peter working and one of me and Peter with our cameras. more