Join the conversation
Subcribe to comment rss feed
End frame: Bridalveil Fall Winter into Spring by Charlotte Gibb
This photograph by Charlotte Gibb has been amongst my very favourite images for quite some time now. It is obviously a photograph of a well-known waterfall in the iconic Yosemite National Park, a place that has been photographed over and over again by so many, including of course, the unforgettable Ansel Adams. The reason why I chose this image as a favourite is because Charlotte has managed to make a photograph of an iconic spot that more
End frame: Lake Julien by Joshel Namkung
The colour contrast between the reflected blue sky on the water and the yellow grass delineates the two parts of the scene cleanly. more
Zen and the art of photography
We learn that frustration is caused by desire. It's easy to agree with this wise statement. Perhaps it’s so simple that desire drives us to create pictures which we believe will be successful. more
End-frame “Forrest Bench” by Lyle Gomes
Photographer, Jonathan Chritchley, put me on the track of Lyle Gomes. This picture is on the cover photograph of the book “Imagining Eden: Connecting Landscapes.” The book contains photographs made over a sixteen-year period from locations in America and Europe. more
Exploring New Islands
Artificial islands are not new. They have been created for thousands of years. What is new is the size and strangeness of their modern incarnations. To conclude my journey, I rowed to some ancient examples. more
End frame: Dancing in the Moonlight by Wim Vooijs
While they are not mirror images, they are beautifully balanced. The reflection is like an echo of the moon. more
End frame: Autumn Pallete by Michael Bollino
As an added bonus, Michael’s image also contains an abundance of nature’s irregular patterns and textures. That is how I believe the natural world prefers to present itself to us, always a bit chaotic, as opposed to what we commonly find in structured orchards and manicured gardens. more
Somhairle MacDonald
I wouldn’t say I am primarily any one thing. All aspects of expression interest me and I would like to be able to explore as many mediums and processes as possible. For me, drawing distinctions between genre, style and medium is degenerative and prohibitive. more
End frame: “Bloom” by Peter Coskun
Taken in the Paria Canyon Wilderness, Utah, Bloom is an example of such a captivating image. The caption reads that it captured two rocks fallen into wet mud, causing the mud to curl up as it dries up. more
KINGDOM
The process of going back and making the connection between my teenage self, who sought solace and respite in nature, and the person I am today was a potent part of this book project. more
End frame: Light Show by Sandra Bartocha
This photograph has the perfect light and expresses it in a clean, direct, simple, and tremendously special way, striking the soul. It doesn't matter if it's the first ray of sunshine of the dawn or the last of the evening. more
End frame: “Sand Patterns, Laig Bay” by Hugh Milsom
The photograph I have chosen from the book does another thing, though, important to my own ‘work’. I really like mirroring of features of a landscape in clouds above, the sea below, or in this case, the surf below the landscape. These things are, of course, part of the landscape we look at but are not always used constructively. more
Gifts of the Well and the Field
The Well and The Field can bring many such gifts. Both these ways of taking on photography have opportunities for artistic growth. While the beauty of The Well is depth and transformation within constraints, the beauty of The Field is inspiration and freedom without boundaries. more
End Frame: Twilight Canyon, Glen Canyon, Utah, by Eliot Porter
These issues are once again gaining great importance with global warming and climate change, a long multi-year drought lowering the lake to critical levels, and the lake silting up more
End Frame: No Smoke Without Fire by Joe Cornish
Starting with the broad elements, we seem to have a sort of paradise in the background, full of light, leaves, green, and ephemeral light and, seemingly, some sort of hell archetype in the front, scorched earth, scattered debris and all the evidence of the fire. more