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End frame: Lights of New York City 1972 by Ernst Haas
Photographers that, for me, encompass not only a creative vision but also a philosophy and approach to photography that I aspire to. more
Equivalents
This image was not particularly well received on social media or even among friends, but I found it riveting. What was it about? Ostensibly it was an image of a section of a stump of a tree, but that’s not what I saw when I looked at it. I never saw the root as wood but instead saw bone. more
End frame: Wonder Valley, CA 2019 by Joan Myers
The hero has become overwhelmed and is nowhere to be found. Perhaps the hero has left his superhero outfit for someone else to try to take on his burden. Only time will tell if someone will don the outfit again. more
Rocks, Sand and Seaweed
Basaltic rock, shales and sandstone feature heavily along this coastline. The sedimentary rocks are made up of many layers laid down over millennia. more
End frame: Friston Forest by Edd Allen
With this superb photograph, Edd has captured the mood I felt so many years ago – and for any photograph to conjure up any strong feelings in the viewer is remarkable. more
Book Reviews
Most photographers have experimented with intentional camera movement or multiple exposures at some point. Usually just setting a long exposure of a few seconds and waving the camera at some exciting subject matter more
Past masters – Part Four
What motivated a group of landscape painters to relocate to the tiny village of Barbizon in France and relentlessly paint there for most of their lives? Why did they fight to institute an “artistic reserve”, the first protected natural area in the world? more
End frame: After the Storm, Climbers on the Doldenhorn, Switzerland by Henry Bradford Washburn Jr.
"After the Storm" has that graphic quality in spades. But this image has extra “life" to it because of the climbers on the ridge. They give it scale and drama, and this is what really thrilled me when I first saw it. more
End frame: Rùm Sunrise, Inner Hebrides by Joe Cornish
Rùm’s soaring profile catching the warm light just after sunrise was crying out to be photographed, and I assume Joe knew about this particular wave-cut platform on the Isle of Eigg and that it would one day make a useful foreground. more
End frame: Rain and Cliff, Milford Sound by Craig Potton
It is a testament to Craig’s simplified working practice in which he doesn’t use filters, is limited to two or three prime lenses and makes compositions on instinct, preferring not to have to think too much. more
End frame: Dungeon Canyon, Glen Canyon by Eliot Porter
A collection of 80 images was first published in 1963 under the title “The Place No One Knew - Glen Canyon on the Colorado” as part of the Sierra Club’s Exhibit Format Series. more
End Frame – Ostrava Blast Furnace Slag by Fedor Gabčan
The photo was taken in 1966 on an analog Pentacon six with Flektogon 50mm f4 lens and it captures the hot slag dump from nearby ironworks Karolina. Even the city centre was used for heavy industry and coal mining at that time. more
End frame: Seasonal Papyrophilia by Krista McCuish
I started this article by saying that I like images that make me question what I am seeing and “Seasonal Papyrophilia” does exactly this. There are multiple layers and textures and quite unusual shades of pinkish purple and lime green. more
Past Masters – Part Two
In this second part, I'm going to explore their thoughts on perfection and on influences. To see how their mature thinking can be applied to our approach towards expressive photography. more
End frame: Mountains of Mourne, County Down by Paul Wakefield
My own photography has changed in many ways since I picked up a camera again. A lot of this is down to studying Paul’s work, I don’t go out looking for the golden light anymore, I am much happier photographing on overcast days, shooting in diffused light, and making quieter images. more