Join the conversation
Subcribe to comment rss feed
End frame: Water Lilies, Okavango Delta, Botswana by Frans Lanting
Completely entranced and with goosebumps stippled arms, I sat staring at the large cinema style screen in front of me. I could barely take a breath. more
Past masters – Part One
The modern concepts in arts, which evolved from Realism, Impressionism, and post-Impressionism to the abstract art forms we have today, were far from being conceived, let alone being recognised as art. more
End frame: Conception Rock by Michael Lundgren
In Michael Lundgren’s Conception Rock, two spherical shapes loom out of the darkness. While they appear large, the scale is not clear cut. At first glance, what they are or whether they even belong to this world or not is an open question. more
The Parallelism of Ferdinand Hodler
he photographer is more constrained. The choices are those of framing, light, and the length of exposure. These can all influence the degree of parallelism, symmetry, rhythm and the unity of nature evident in a final image. more
Keep it Still
In this article, I will look mainly at ICM i.e. deliberately moving the camera during a single exposure, but also at multi-exposure in one frame, in-camera layering of two or more separate images and combinations of all these techniques. more
Endframe: East Cumberland Bay, November 13, 1914 by Frank Hurley
Since childhood I have been fascinated by the history of polar exploration, intrigued by the tales of adventure, the discovery of the unknown and the mortal dangers faced in the most hostile and remote landscapes on earth. Among the heroic tales of polar discovery, there are none to compete with the plight of the ill-fated 1914 Imperial Trans-Antarctic Expedition led by Sir Ernest Shackleton in his bid to be the first to lead a team across the Antarctic Continent: a more
Finding Calm
I’ve often been told that my images portray a sense of calm and maybe that’s a result of what I find rewarding in an image or what my eye is naturally drawn to. more
End frame: Iceberg, Fjallsarlon, Iceland by Paul Wakefield
I said at the beginning that this is an image that remains very clearly in my head, and this, in our current world of visual overload, of itself says all that needs to be said about the impact this image has had on me. more
Winds of Change
After Britain’s exit from the European Union, many have wondered what Britain’s place in the world is, what it should be and what it could become? more
End frame: Dukan Lake, 1974 Kurdistan Region, Iraq by Bruno Barbey
I found it in a bookshop in 1998 even though I was broke I bought it, love at first sight. I realise that this book has deeply influenced me. I can almost see a little bit of my photography in every photograph in the book, inspiring me and moving me. more
Inside the High Sierra
I’ve been photographing in the High Sierra for 35 years and I feel the body of work is significant. I haven’t changed the way I work over that timeframe. more
Seasons
It can often seem like one season blurs into another. The individual distinctness of each one has, over the years, fallen away. more
The Intimate Panorama
In landscapes with a horizon, a 6:17 view provides a broad sweep of a rather natural scan by the eye of the viewer, but it is not evident that this will also be suitable for landscape details. more
An Interview with Gregor Radonjič
Originally I was just interested in purchasing Gregor's photo book 'Drevesa' (Trees) because I enjoyed his work and it's also my favourite topic. This first contact has since turned into an enjoyable email conversation on photography, more
End Frame: Rydal Water by Paul Sanders
His image of Rydal Water is packed with exquisite imagery and a myriad of emotions. more