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Hoarusib Cracks
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Endframe: Hoarusib River Bed by David Ward

It was 2017, for months and months I had seen the occasional “elephant passing through our camp” snapshot. But there had been no sign of any of David Ward’s heart stopping, beautiful, keep you looking over and over again pictures. Then this appeared. Perhaps cool water to a parched throat, but pwhooar! I am not even sure if it is the first one he posted after a couple of years during which he left both camera and social media pretty much more

21 Holler Iv, Foxbard Sep 27 2020
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Potsherding

‘Potsherding’—that is, methodically plodding the newly ploughed sweetcorn fields of southeastern Massachusetts looking for indigenous people’s artefacts in the fresh furrows. more

Paul Kenny Full Moon Over Mayo 2001
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Endframe: Full Moon over Mayo by Paul Kenny

At Ballinglen, he had easy access to the coast and the sea and Full Moon over Mayo is one of the very first of his Seaworks series that was eventually published as the book Seaworks 1998-2013 published by Triplekite Publishing in 2014. more

Ben Horne Secluded
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End frame: Secluded by Ben Horne

I have a tendency towards that slippery slope of becoming disillusioned through comparison, so one photographer whose work I find immensely inspiring and refreshing is Ben Horne. more

Headland Ranken 2048
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End frame: Headland by Jackie Ranken

There is movement here as well, lovely shallow curves of the headland that might continue up and around to the top left. Where are they taking us? Another beach, more sandy shore, water, or not? more

Eden At Shoregill
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Interpreting the Found Abstract

So what is it about those abstracts as landscapes that are so appealing, and how might that meaning be interpreted? more

Endframe Lighthouse
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End frame: South Stack Lighthouse, Holy Island, Anglesey 1978, Denis Thorpe

Still photographing in his late eighties from his home in Stockport, England, Denis Thorpe’s landscape images demonstrate the power that derives from locating them within the context of a broad range of other photographic genres. more

Andrea Celli
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Sacred Forests

There’s a special place in the heart of Italy, right between Tuscany and Emilia-Romagna regions. Far from the iconic places in the country like the Dolomites, Val d’ Orcia, Cinque Terre and so on, but full of great natural views and photographic inspirations. In these forests, I spent my last four years trying to catch their soul and putting myself in front of a blank white page. more

Crossed Aspens & Sapling, Near Ashcroft, Colorado, , 1989
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End Frame: Crossed Aspens and Sapling, near Ashcroft, Colorado By John Sexton

‘Desert Island Discs’ is a long running BBC Radio 4 series that was first broadcast on what was then the BBC Forces Programme on the 29th January 1942, with its first guest being Vic Oliver, actor and radio comedian. The format of the show for those who aren’t familiar with British radio is that people who have made a name for themselves in whatever field, (I hesitate to use the word ‘celebrity) are invited to imagine that they have more

Joe Cornish Submergence
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End frame: Submergence by Joe Cornish

I have spent so many hours photographing abstracts on the English coast and the print of Submergence evokes many memories. more

R.romano Spring Forth
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Embracing Failure and Being Humble

Making photographs is all about personal decisions like what subject matter you choose to photograph or which of your photographs is good enough for others to see more

Isabel Díez Rocks 1
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Between Tides

The seashore has something magical about it. It is amazing how in the course of a few hours a landscape emerges that was hidden by the water. more

Christopher Burkett Radiant Mountain Aspen
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End frame: Radiant Mountain Aspen by Christopher Burkett

Burkett is recognised nationally for making Cibachrome prints that employ sophisticated and unique masking techniques. He hand-prints his 8 by 10-inch transparencies to sizes of 20 x 24 inches, 30 x 40 inches, and 40 x 50 inches. more

Manfred Geyer Flickr Broichbachtal 41 O 200 2048x1024
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End frame: Broichbachtal 41 by Manfred Geyer

‘Your own photos are never enough.’ Robert Adams’ observation (from his book Why People Photograph) has adorned my profile page on Flickr since I joined in 2006. more

Twin Oaks, 1956 #0771 0591 D 8c(kc 4)
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End frame: Twin Oaks 1956, Wynn Bullock

The photograph is not only about two trees. For me, it's more about the complexity of nature, that there is always something more to discover if one just takes the time to look. more

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