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Cloud Allusions 5
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Cloud Allusions

In this series of three articles, my intention is to examine some ideas about the practise of landscape photography in the light of the teachings of Zen Buddhism. more

Thomas Joshua Cooper The Snake River. Cauldron Linn, No. 2
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End frame: The Snake River. Cauldron Linn, No. 2 Jerome County, 2003 – 2004, Thomas Joshua Cooper

In the summer of 2003, Thomas Joshua Cooper travelled to Shoshone Falls in southern Idaho to photograph where the Snake River had tumbled across a 212 foot precipice more

Jllorens Gaia Diptic 108
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Jaume Llorens

That the images inspire them is probably the most common comment. They find poetry, delicacy, sensitivity and beauty in them. It's a biased collection because only positive comments reach me. more

009
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Is Intimate the new Grand?

Intimate landscapes, on the other hand, offer the photographer much more freedom. The possibilities are almost endless. more

The Edge 30 2017
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Land

Each of Conduit’s images serves as a visual narrative, weaving together the threads of his ongoing dialogue with forgotten places, inviting viewers to witness the transformation and rediscovery of these overlooked corners of the world. more

Any Questions Episode 2
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Any Questions, with special guest Lizzie Shepherd

The premise of our podcast is based loosely around Radio Four's "Any Questions", Joe Cornish and I (Tim Parkin) invite a special guest onto each show and solicit questions from our subscribers. This months guest is Lizzie Shepherd and we had a bunch of questions about her printing, skiing, creative photography, ethics, etc.. more

Pritchard 000 Pca
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More than Scenery: Yellowstone, an American Love Story

The view of Golden Gate Canyon caught my attention after looking through the Wyoming cards at a paper antiques show. It’s a classic 19th-century proscenium picture space borrowed from painting by Western exploration survey photographers of the 1870s and ’80s. more

Chapel
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Topographical Chapel/Capel

With over 6000 chapel/capel sites dotted across the country, it is clear that the religious landscape of Wales was once deeply dependent on a place to worship. more

Shell Pocket Twilight Copy
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End Frame: Shell Pocket Twilight by Joe Cornish

While looking through First Light, it also dawned on me that many of the images in the book, especially Shell Pocket Twilight, are much more than just a photograph. more

6)janet Tavener Tongue Of Fire 90x90cm 2018
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Janet Tavener

I was drawn to Janet’s images by their fluid beauty but they may challenge you to think about your own definition of photographic genre, for all that we do is interconnected and our path into revelation may be our own life experiences. more

Tones Of Autumn
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Yuki Kamishima – Portrait of a Photographer

I find myself most enamoured by their intricate and beautifully constructed abstract photographs. The way that Yuki leverages light and composition to showcase the smaller details found in winter has me returning to their work repeatedly. more

10 Infinity
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The Art of Mystery

As a photographer working to inspire an attitude of conservation in a world that values natural places less and less each day, I intentionally create images to show others that wilderness has much more to offer us in its unspoiled state than anything we could possibly extract from it materially more

Tannerre 0009
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A Door in Tannerre

Unless Art Wolfe reads this text, he will never know about his impact on my photographic journey. Like him, we too, by simply practising our passions and sharing our stories, may never know who we may inspire and how we may flare up someone else’s creativity more

230216 95892
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Exploring a Fresh Landscape

I find it isn’t possible to tell a story from a first impression. A story needs to unfold in layers, requiring a continuous cycle of reflection. An additional element to the challenge would be having no constraints or boundaries initially. more

Marianthi Lainas Tidal Pool #5
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End frame: Tidal Pool #5 by Marianthi Lainas

When I saw this photograph by Marianthi, my first thought was that I was not sure if I was looking at the sea, but I definitely felt it. more

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