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End Frame: No Smoke Without Fire by Joe Cornish
Starting with the broad elements, we seem to have a sort of paradise in the background, full of light, leaves, green, and ephemeral light and, seemingly, some sort of hell archetype in the front, scorched earth, scattered debris and all the evidence of the fire. more
Time To Wonder by Joe Cornish
As Joe has already mentioned in his own overview of the Fountains Abbey project, it wasn’t really his favourite subject matter. In fact, as far as landscape goes, you couldn’t get much further away from his love of mountains and wild places. But a challenging job like this is just why you need someone like Joe Cornish to get the very best out of a landscape such as this. more
Minimalism in Infrared
The high contrast effects of monochrome infrared images can often be used quite effectively to augment the minimalist feel of landscape photographs. more
Roger Fishman
So part of my intention is to elevate water as an art form. To increase and change the dialogue about water. Thus, by creating images of water as art, water can be seen and felt as something super special. more
Jim Lamont – Portrait of a Photographer
There is a rich history of landscape photographers taking up the cause of climate change and natural resource protection through their work. more
10 years as a Professional Landscape Photographer
The anniversary is a great time to look back at the past period. What has changed? And what will the future bring? Although I am under no illusion of being complete, I would like to mention some developments in landscape photography that stand out for me. more
Greina Pass
The constantly changing climate has created a landscape that made me nostalgic for the mountainous areas of the UK. At certain points in the pass, you’d come across weathered mars-like rocky structures, boggy swampland and deep carved out gorges. more
End frame: Earthrise by Bill Anders, Apollo 8, 1968
The astronauts (and everybody around them) were dutifully machine-like in their approach to the mission, but it wasn’t until they were more relaxed that they were able to appreciate a different perspective altogether. more
A Look at AI Image Generation
Firstly, a little context and background for just what artificial intelligent image creation actually means, and it’s quite different to how people might imagine it. more
Artificial Art
The real question—the more troubling question by far–is not whether AI creations are or are not, will or will not be, considered as art, but what we stand to lose as human beings, in terms of human experience, by allowing for such creations to be considered as art. more
Cath Gothard
If I were forced to choose a favourite season to photograph the park, then it would have to be spring. It’s such an optimistic season, with new life emerging from the slumber of winter. more
Bearing Witness
If we are looking for more meaningful and rewarding experiences and to make photos that are creative and self-expressive, then I would argue there may be times when the camera should never come out of the bag. more
Photography and the Arc of Human Progress
The last 20 years have seen more change to photography than the 150 years prior, and, with no sign of advancement slowing down, the next ten will yield just as much change as the last 20, and so on and so forth. more
End frame: Colour transect #19, 57.868º N by Niall Benvie
One of the things I have learned from Niall recently is not to be frightened of using words in photos. Particularly if you are communicating a message, one or a few words can ensure that the message is not missed or misunderstood. more
Wood, stream and pool
In my city, lost between these ambiguous, transitional border-spaces, there is a small woodland that is barely 1 kilometre square, a stream about 4 kilometres long and a pool used by the municipal fishing club. more