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Category Archives: Availability
Conception Rock Michaellundgren
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End frame: Conception Rock by Michael Lundgren

In Michael Lundgren’s Conception Rock, two spherical shapes loom out of the darkness. While they appear large, the scale is not clear cut. At first glance, what they are or whether they even belong to this world or not is an open question. more

Mark Burley Spring Flow
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Subscribers 4×4 Portfolios

Our 4x4 feature which is a set of four mini landscape photography portfolios submitted by our subscribers: Peter Roworth, John Dominick, Mark Burley, Karin De Winter and Jo Van Rossem more

Crazy River Ii
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Crazy River

These four photographs belong to a series we made about the scenery along the Rio Tinto in Spain. more

Mark Burley Downstream
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Celebration of Spring on the River Dart

This series of four images were taken on a stretch of the River Dart in Spring 2021. more

John Dominick Stranded
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Ripples in Time, Harlech Beach

A gift from the sea is how I feel about sand ripples. Each tide leaves, in infinite varieties, a signature of wave energy. more

Peter Roworth 3
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Imagination

I am now retired from a working life in nature conservation as a reserve warden in various locations across Great Britain. I always used a camera as part of my work, specialising in the photography of wildflowers, habitat management and the landscape of nature reserves. more

Chrisbyrnephotography.9
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Chris Byrne – Portrait of a Photographer

In Chris’ own words in a well-produced video on his website, the root of risk, when we boil it down, is answered by a simple question: “What are you willing to risk to get what you want?” more

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Helmut Pilo

It must have been frustrating to have begun to explore the grand landscapes of the North only to have travel restricted by the pandemic, yet 2021 turns out to have had a silver lining and gave him the opportunity to spend more time on his photography. more

Lake Thus From Lessigen 1904
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The Parallelism of Ferdinand Hodler

he photographer is more constrained. The choices are those of framing, light, and the length of exposure. These can all influence the degree of parallelism, symmetry, rhythm and the unity of nature evident in a final image. more

The Low Drone 11
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The Low Drone

In this article, I would like to zoom in on another, in my opinion much less widespread, application of the drone for landscape photography. This does not involve flying high - on the contrary. In this technique, the drone is used to create intimate landscapes more

Adamp Hold Still Leaves
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Keep it Still

In this article, I will look mainly at ICM i.e. deliberately moving the camera during a single exposure, but also at multi-exposure in one frame, in-camera layering of two or more separate images and combinations of all these techniques. more

Hurley Photo Section
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Endframe: East Cumberland Bay, November 13, 1914 by Frank Hurley

Since childhood I have been fascinated by the history of polar exploration, intrigued by the tales of adventure, the discovery of the unknown and the mortal dangers faced in the most hostile and remote landscapes on earth. Among the heroic tales of polar discovery, there are none to compete with the plight of the ill-fated 1914 Imperial Trans-Antarctic Expedition led by Sir Ernest Shackleton in his bid to be the first to lead a team across the Antarctic Continent: a more

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Szabó Zsolt András

My favourite locations are remote and not easily accessed; for me, it was always crucial to not have any human traces in the landscape I photograph. For me the essence of landscape photography is to discover, to take on challenges, to be part of adventures. more

On Landscape 013
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My Home Landscape

One of those locations I came up with is a beautiful bay called Frazer beach, situated in Munmorah State Recreation Park. It's a bit more of a drive, 35-45 minutes in the car, but enough remoteness to put off many a landscape shooter who doesn't like to walk far. more

Guy Tal Colour As Form 2
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Colour as Form

Kodachrome, introduced in 1935, was the first colour film to be mass-marketed successfully. Although Kodachrome quickly became popular with hobbyists and commercial photographers, so-called “fine-art photographers” have initially shunned the use of colour, and many have expressed derisive views of colour photography. more

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