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End frame: The sum of its parts ‘Dalí Atomicus’ by Philippe Halsman
As someone who initially began their introduction to the world of art via the traditional mediums of oil and charcoal I’ve always been drawn to work that connects the historical and traditional to the relatively modern advances of image capture and editing. more
That Other Landscape
‘That Other Landscape’ is a rare collaboration of three creative Scottish Landscape Photographers showcasing their work in a touring exhibition. The aim is to find out if there can be a space within the ‘art world’ for photography to share the walls as a variant medium rather than a foreign entity. Photography will always be exhibited in galleries but rarely alongside paintings, sculpture, installations etc. and often only as a body of work, sharing a message or story as a more
Uge Fuertes
I try to make creativity a path. The daring and risky composition is my hallmark; I like to seek perfection in composition and highlight only the remarkable, ignoring the rest. We are what we photograph and also what we see. Seeing is not only a physical question. more
The Thing Itself
Edward Weston’s thoughts on photography are peppered throughout his Daybooks (journals predominantly covering the period 1922-1934). more
This is my truth, Tell me yours
The sheer delight in being faced by the lighting in the landscape from a sky on fire as the sun rises or sets can be some of the best medicines which can’t be prescribed by any doctor. more
Any Questions, with special guest Paul Mitchell
Welcome to the fourth episode of our "Any Questions" series, where hosts Joe Cornish and Tim Parkin delve into the questions you've submitted. This month's guest was Paul Mitchell, and we had a bunch of questions about his thoughts on beauty, critiques, pinhole photography, design and book making and more. more
Hope (in an age of Climate Change)
This Project deals with the landscape of ideas as well as the physical landscape. One of the concepts used is Geo-Mythology, the idea that historic climatic and geological events eventually become myths. more
End frame: ‘Point 660 2’ by Olaf Otto Becker
One of the things that really struck me about this image was the almost theatrical juxtaposition of the figures somewhat inappropriately dressed, standing on the Glacier, almost oblivious to the environmental crisis it is facing. more
Nature in the Netherlands
I am strongly considering giving nature in the Netherlands another chance and taking up a new book project here. But first, of course, I want to finish my project on European canyons. We really don't have those in the Netherlands! more
Anna Morgan
I hope they show a reverence for the natural world that you experience every day. We are surrounded by nature everywhere, even among the high rises of the big cities - it may feel less pervasive in urban areas, but we are not separated from it. more
Bill Ferngren – Portrait of a Photographer
Another aspect of Bill’s photography that is worth noting is the way in which he is able to showcase tranquility in his photography in such a consistent fashion. more
Misplacements
The photos show man-made objects whose purpose is no longer clear, or they have lost their function but are still present in the natural environment. more
Alpine Flora of Tasmania
Being able to observe Tasmania’s beauty through the ground glass of a large format camera is always a tranquil and moving experience, regardless of what I am photographing. more
End frame: Blue Lake Creek by Peter Dombrovskis
There are very few pictures of Peter in the field working with his camera, but Colin made two photographs that day – one of Peter working and one of me and Peter with our cameras. more
4×4 Landscape Portfolios
Our 4x4 feature is a set of four mini landscape photography portfolios submitted by: Chenxi Che, David Driman, Jeremy Henderson & Judy Cochand more