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Gheorghe Popa
It is strange that although one is a natural lake and the other one is an artificial lake filled with poison, to me they have things in common, like the trees in the water. more
The Experience is All
I have found that in order to make my most meaningful and expressive photographs I had to learn to put photography out of my mind—to not allow it any attention at all until called upon by some aspect of a meaningful experience to make a photograph. more
Nobody Expects the Inquisition!
One of my overarching motivations for photographing is to explore the gap between how the combination of my mind and eye apprehend reality and how a camera and lens render that. more
Ângelo Jesus
I consider myself mostly a reactive and instinctive photographer and as I said before, I always like the idea of waiting for nature to speak to me and show me the way. I think the key is full observation, patience and persistence. more
Jerry Greer – Portrait of a Photographer
Jerry’s new project, “Dust to Dust” focuses on the impacts on both the natural environment of the region as well as the impacts to the built environment and the various intersections of each. more
Colours of Summer
Everyone loves the long hot summer days, the short, warm nights, the bright greens of summer…everyone it seems, except grumpy old landscape photographers! more
Jasper Goodall
The process of making a photograph is akin to a performance, with the photographer as conductor. It’s up to us to decide what we reveal, where we want the emphasis, how loud or quiet the instruments are, and if we want a solo… more
Ideas Behind Reality in Photography
It’s important to highlight that deception involves intent. Tools and techniques don’t have intents, people do. Deception is not about whether someone applied some tool or technique, it’s about whether someone used a tool or technique specifically intending to deceive others. more
Brent Doerzman – Portrait of a Photographer
He’s an absolute master at determining what to include or exclude in the frame, which is in my opinion one of the most challenging things a landscape photographer must learn to do. more
David Lintern
Some of you may remember David’s name in the context of the campaign against the planning application for run-of-river hydro developments within the designated wildland areas of Glen Etive in 2020. As well as writing, David photographs, teaches and yes, campaigns, on other matters too. It would be easy to think that passionate advocacy for nature stems from early exposure to it, but in David’s case, this was limited. That’s clearly no longer so, and as more
Joe Cornish – Fisherfield Forest, Scotland
It was a pleasure to host Joe Cornish for a few days at the start of June and he had just come back from a trip with his son Sam and Alex Nail. more
Joel Truckenbrod
That quality of silence is probably the single most important element I find within the landscape, and often one of the most difficult to effectively communicate. Perhaps that valuation is a reaction to living in a busy world, which is seemingly always filled with noise and distraction? more
Ideas Behind Reality in Photography
For me, the overriding approach is that I want to make sure I express authentic experience. The feelings I want to express in my work are true to my own experience, and my experience is to a large degree influenced by the reality I work in—the beauty and complexity of natural places. more
Tara Workman – Portrait of a Photographer
I am also impressed with her bravery in pursuing and sharing images where the subject may be out of focus or where no compositional rules are followed. more
Jennifer Renwick
The inspiration behind my imagery comes from my curiosity about the natural world and what Nature shows me when I am exploring and photographing. more