Join the conversation
Subcribe to comment rss feed
Nick Stone
His photographs are supported by and integral with his writing about the traces that the landscape carries of our influence and interference - often things that we overlook, simply don’t see or choose to ignore. more
End frame: Kussharo Lake Tree, Study 4, Kotan, Hokkaido by Michael Kenna
Stephen McNally chooses one of his favourite images, a classic photograph from Michael Kenna more
Discovery and Rediscovery
What would it have felt like to know that someday I’ll explore, photograph, and write about this vast and magnificent, and largely unexplored, desert, thousands of miles away from my birthplace, as my full-time job? more
Cheryl Rose
I spent a while recently enjoying the colours of New England on a dark winter’s morning courtesy of Cheryl Rose’s photostream. Each time we look at another photographer’s work we open a window on their world, and the way that they see it. more
Finding Flow through Mindfulness
Each one of us possesses an abundance of creative thought and insight. Each of us sees the world in a completely unique way and nobody can say that the way we see the world is wrong. more
Of a Big One, not up a Big One
Every winter we see lots of images of snow-covered peaks in the glow of dawn or dusk light and most of us think “That’s fantastic, but there is no way I could get up a mountain to take photos like these”. more
David Baker
You’ll have to go back to August 2011 and Issue 20 to find Tim’s original Featured Photographer interview with David Baker. This pre-dates both Sea Fever and Ridge Trees, although David’s fascination with the coast was already evident. more
In Turner’s Footsteps
I was particularly keen to learn how Turner depicted the relationship between sea and sky so brilliantly as part of the appeal of Turner’s work more
After All This Time
I usually spend over 160 days a year travelling so to be at home is often rewarded by an overwhelming sense of comfort and warmth. This, in turn, has led to ‘home’ meaning one thing, and my photography becoming something entirely separate. more
Graham Cook
It’s those moments of perfect harmony when I’m closest to becoming myself and when I’ve been able to release the shackles of behaviour and attitude that contrive to impair free thinking. more
Say Yes
Saying “yes” means possessing a mind free of judgment and expectations and being open to whatever might come our way. more
Photographing for Others
If I woke up tomorrow to find a world in which I was the only human being (coincidentally, one of my favourite recurring dreams), I would still photograph? more
The Photo Book
There are different reasons why books provide enlightenment and meaning which is absent from other supports. more
Thierry Bornier
Perhaps the thing that strikes me most about Thierry’s poetic images of China is that it is very much a manmade and managed landscape, and also a peopled landscape. more
The Power of Transitions
The art of linguistic creativity relies heavily on tools of communication; words, punctuation, articulation, metaphor and nuance. more