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Neil Burnell
If you still mostly associate Neil with long-exposure photography, you’ll learn how extended application in the form of year-long competitions has benefitted his skill set and broadened his interests and portfolio. more
Reclaimed
The diamond mining ghost town of Kolmanskop, a collection of skeletal buildings a short way off that same highway, is a testament to just that fact. more
Carpathia Diary, May 2018
In January of last year, I began photographing a body of work documenting Romanian NGO ‘Foundation Conservation Carpathia’ as they strive to create a new European Wilderness Reserve in the heart of the Southern Carpathian Mountains. more
Deception by Realism
Photographers working in such places, wishing for their images to convey impressions such as wildness, remoteness, or peaceful contemplation, often compose their photographs deliberately to exclude people, roads, and structures that might betray the true nature of the place and the true experience of being in it. more
Spring in Cornwall with Joe Cornish
We managed to record Joe talking about his trip to Cornwall where he had some great light and beautiful spring conditions. more
Meaning: You Get to Decide
Do not let the fear of outside judgment and opinions limit your vision. Defining what’s meaningful to you requires courage and conviction. more
Stuart Clook
Stuart Clook’s work mixes places beloved by 21st century filmmakers, audiences and adventurers with 19th century photographic and printing processes, exploring the way that colour can influence perception and deliberately making room for error and discovery. more
Remnants on the High Plains
The objective of finding the abandoned places led me through some of the most beautiful grasslands I have ever seen. more
Letting go of Truth
To be honest, this all contributes to my love affair with monochromatic photography. Because abstraction is more obvious for the viewer, and for me, it gives me more artistic freedom. more
Adam Fowler
Adam has for some time been considering in photographic terms the structures that we tend to avoid or overlook, including the many hydro-electric dams built in the Scottish Highlands in the 1950s and 1960s. more
Ditching Graduated Filters
Setting aside my own experiences there are many reasons to make the case for a “gradless” capture process. more
Paul Mitchell
I have been actively involved with pinhole photography for almost 15 years and am pleased to see that it has had somewhat of a resurgence recently. more
The restorative effects of landscape photography
For so many landscape photographers, there is a reverence for nature that is reflected in our images. The natural world provides relief from the burdens of everyday life, with studies showing that time spent in nature has a measurable positive effect on our stress levels and state of mind. more
Time to reflect…
Mystery lurks in the disparity between how I see and how the camera sees. I’m more interested in the ways in which they imperfectly match than in any apparent congruence. more
Varieties of Experience
Appreciating the experience of a chance encounter with beauty as worthy in itself, requiring no further qualification to be regarded as unequivocally good, already makes the entire photographic endeavour a positive and venerable one. more