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Trym Ivar Bergsmo
I've been following Trym's work on Facebook for quite some time and it's nice to see work from such an iconic place as Lofoten but through the eyes of a 'local'. more
A Visual and Tactile Adventure
During this year I have participated in a project called ‘Territoire-s’, which was an artistic exchange of ideas between artists from two countries. more
Doug Chinnery
I am particularly drawn to the abstract impressionists, the impressionists, the cubists and so on. From this, I have found my own image making has been hugely influenced and all of my work is now abstract in form. more
Thomas Fleckenstein
Thomas has lived in Iceland for just over 20 years now and is perfectly placed to share some insights into his adopted home. more
The Power of Transitions
As in life, transitions are one of the most important tools in photography, and in this article, I want to look at what they are, their origin and types. more
The Second Kind
What, then, are the things that second-kind photographers “gain by taking pictures they are interested in,” that are significant enough to warrant declining a prestigious job offer? more
Featured Photographer Revisited
Tim spoke to Lizzie Shepherd for our Featured Photographer spot back in March 2013. Looking through her website it’s clear that her image making has developed since the original interview more
If No One Saw Your Photographs
Despite the flood of pictures we see on a daily basis, I still believe in a photograph’s ability to influence people’s behaviours and decisions. more
Joan Kocak
Developing themes and series is the way I work best. I don’t always start out with a particular theme; often it just happens. Over time a pattern of images presents itself and becomes a series. more
The Collaborative Photographer
Photography, at least in the way I practice is, is a complete solitary endeavour, and in fact, that is one of the things that attract me the most about it. more
Landscape and Abstraction
My assertion, “landscape lacks a ‘subject’” must be debatable; perhaps that is why the lone tree remains a hardy perennial for landscape photographers, for the apparent isolation of the tree lends it a presence and also an inherent storyline (loneliness, resilience against the elements, confidence etc). more
ETTR in the Age of the Modern Sensor
We had a recent email from a reader asking whether we should still be using ‘expose to the right’ when modern sensors have such a large dynamic range. more
Richard Earney
The Warped Topographies project has crystallised in my mind that I prefer a more abstract form of photography, but it’s also reignited my interest in older and alternative processes. more
What it meant to me
We all, as photographers, reach for our camera, place in the frame what we want to include in our photograph, and press the shutter button. One thing that is common in all of us is that we did it for a reason. more
Antipodean Adventures
Joe Cornish spent a few weeks travelling around Australia and New Zealand at the start of this year. Tim Parkin took the opportunity to ask him about a range of images taken during this trip. more