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Five Days in Glencoe
With Spring well and truly Sprung and summer on its way, we've taken the opportunity to reflect on some of the highlights of Winter. more
Antonio Aleo
This issue we're talking to Antonio Aleo, an excellent photographer from Italy who specialises in his local area of Calabria. Most of the images included are from his work in the local forests in Calabria. more
The Label
A single word, a label, can narrowly define the whole life of an artist, directing not only the audience into a single way of understanding and experiencing his or her work, but also shaping the artist himself. more
The Anatomy of Grey
A lot of today’s black and white images seem to be missing some of the subtle mid greys that I love so much. more
Kevin Marston
I wanted to connect with the landscape or whatever was in front of me in more of a raw emotional way, and that seemed to lead me into more abstract areas. more
Morality and Realism in Photography
To a photographic artist, the insistence on dogmatic adherence to the tenets of photojournalism is especially confounding. There is no reason to judge a photograph not intended to serve an evidentiary purpose based on the very thing it is not meant to be. more
Romania Project Diary
When I discovered that I’d been awarded the Royal Photographic Society Environmental Bursary to create a new series – a series that I’d been wanting to create for some time more
Rob Knight
My photographic journey has been a long and winding one, it’s difficult to say exactly when I became interested in photography as the sole dedication or focus as a pursuit. more
Art Wolfe Interview
Graeme Green interviews Art Wolfe about his work, what makes a great photograph and his new book "The Earth is my Witness" more
Creation vs. Production
Creation and production are very different concepts, yet they are typically confounded, particularly during the first stages of practice of any supposedly creative activity. more
Birgit Potthoff
I want to take the viewer on a trip into a small frozen world, previously unseen by humans, on a journey to a fairytale-like universe of light, shapes and colours. more
The More Things Change
In order for photographs to be considered truly creative, it is not enough for the photographer to passively recognise a visually appealing, or otherwise expressive, composition when coming into contact with it. more
Aligning the Moral Compass
Our responsibility should probably carry over to our post processing and image sharing as well. The ramifications of what we share and how it impacts others has to be considered if we care about the places we photograph. more
Isabel Curdes
A perfectionist in search of atmosphere and ephemera through ‘imperfect’ images and prose and a lover of film. more
Hot Places
I want to show how Iceland has changed into a destination for mass tourism and how people are experiencing nature in the days of selfie sticks, social media and cheap flights. more