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Alignments
I had long been a fan of early nineteenth-century black-and-white photos taken before and after the “inverse mountain” became a national park in 1919. more
Making the most of your photography with older equipment
Spending £1,600 on a compact camera with 40 megapixels or £6,000 on a 60 megapixel body is not something that the vast majority of amateur and professional photographers can justify. more
Love of a mountain
I reflect on the present and what seems to be the expected. Unfortunately, I think photography becomes a reflection of the society and culture around us. more
Photographing the Simple Beauty of Nature
It is a rewarding experience for me to interact with people in this way, and it goes a long way towards alleviating my early concerns that landscape photography is simply a self-indulgent activity. more
Cloud Allusions
In this series of three articles, my intention is to examine some ideas about the practise of landscape photography in the light of the teachings of Zen Buddhism. more
Into a Forest’s Breath
Most of my projects usually imply very long periods of waiting, and this one was no exception. I am lucky enough to live in a house with a magnificent view over the Portofino promontory. more
Solitude, Socialisation & Collaboration
I know that there will always be days when that feeling of isolation will visit me and will fill me with sadness, anxiety, and possibly temporary depression. That is simply the way it is, and the challenge is to manage and minimise those occasions in whatever way possible. more
Lake Geneva
I had seen a couple of great images from a Swiss photographer living close to the lake that I liked a lot. That was all the inspiration I needed to arrange a visit. I planned on a four-day visit, which would concentrate only on the Swiss side of the lake from Geneva up to Montreux, about 50 miles in total. more
Phenomenological Landscapes
There is, however, another side of this aspect of being a photographer that can have benefit in our interactions with the phenomenological landscape. A camera is a separating device but also a means of focusing our attention. more
The Pursuit of Making Landscape Images and Survival
On the grand scale of things, this progress is all very recent. If you compress the Earth’s entire history into a day, we have had the pleasure of wandering this planet for less than two minutes as modern humans. Cities have existed for just 1/10 of a second. more
Zen and the art of photography
We learn that frustration is caused by desire. It's easy to agree with this wise statement. Perhaps it’s so simple that desire drives us to create pictures which we believe will be successful. more
The Bleeding Riverbed
This stretch is no more than 40 meters in length, showcasing deep reds, which, when looking closer, could give people the impression that the riverbed was bleeding. more
Photography and the Arc of Human Progress
The last 20 years have seen more change to photography than the 150 years prior, and, with no sign of advancement slowing down, the next ten will yield just as much change as the last 20, and so on and so forth. more
Wood, stream and pool
In my city, lost between these ambiguous, transitional border-spaces, there is a small woodland that is barely 1 kilometre square, a stream about 4 kilometres long and a pool used by the municipal fishing club. more
Familiarity and Seeing
I have heard some people describe their approach to making pictures with a camera as though they are trying to solve a puzzle. I like this idea, we each choose our own puzzles to solve, which can change from day to day, moment to moment, and we each have our own novel approaches to the ways in which we solve them. more