


The Eyewitness Tradition
Photography is so ubiquitous, universal and essential to the normal functioning of modern life that it is easy to forget it has not been with us forever. more

Losing Your Way
There are several stages in the creation of an image, and all can have a substantial outcome on its final appearance and the impact to the viewer. The beginning is evident. We head out into the landscape with our cameras and we do this for several reasons. more

My Important Way
Experiences are the building blocks of life. If making a popular and lucrative photograph requires that one eschew more elevated and personally meaningful experiences, even if yielding no product, then I say: to hell with that photograph. more

QT Luong – Portrait of a Photographer
QT Luong was the first person to photograph all 62 National Parks, an impressive feat on its own right; however, he did so with a large format film camera. more

A Year of Photographs
Not necessarily my best pictures of the year, they are nevertheless ones that I am fond of, or intrigued by…and which haven’t yet appeared in On Landscape! The captions aim to provide a little background to their origins, and why I chose them. more

Mindfulness With a Twist
When I practice mindfulness, I don’t aspire to rid myself completely of strong emotions. My goal, instead, is to filter my emotions and keep only those that are most elevating and beautiful, even if painful and difficult. more

Ruminations of an Optical Neurotic
The creative approach is always to work within the limitations available to us at the time and come up with the best solution, certainly not to regret the lack of a particular focal length, or an exotically-priced superior alternative. more

Professional Freedom
The camera has been part of some of the most powerful, emotional, contemplative, and consequential experiences in my life. more

Water and Fire
At grassroots level, as well as governmental. As photographers, we can share our ideas, our images, our concern and our determination. more

The Experience is All
I have found that in order to make my most meaningful and expressive photographs I had to learn to put photography out of my mind—to not allow it any attention at all until called upon by some aspect of a meaningful experience to make a photograph. more

Nobody Expects the Inquisition!
One of my overarching motivations for photographing is to explore the gap between how the combination of my mind and eye apprehend reality and how a camera and lens render that. more

Colours of Summer
Everyone loves the long hot summer days, the short, warm nights, the bright greens of summer…everyone it seems, except grumpy old landscape photographers! more

Southern Manscapes
Man's influence on the landscape here is obvious and almost unavoidable photographically. I decided to embrace this and to make the transformation of the land and man's influence on it the subject of the photographs. more

Ideas Behind Reality in Photography
It’s important to highlight that deception involves intent. Tools and techniques don’t have intents, people do. Deception is not about whether someone applied some tool or technique, it’s about whether someone used a tool or technique specifically intending to deceive others. more

Acquisitions and Inquisitions
This paradox springs from the fact that photographers’ peers are seen as both their preferred audience and their competition for the acquisition of images. Photographers want to brag about where they’ve been to people who they think will appreciate it. more