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Ideas Behind Reality in Photography
It’s important to highlight that deception involves intent. Tools and techniques don’t have intents, people do. Deception is not about whether someone applied some tool or technique, it’s about whether someone used a tool or technique specifically intending to deceive others. more
Acquisitions and Inquisitions
This paradox springs from the fact that photographers’ peers are seen as both their preferred audience and their competition for the acquisition of images. Photographers want to brag about where they’ve been to people who they think will appreciate it. more
Ideas Behind Reality in Photography
For me, the overriding approach is that I want to make sure I express authentic experience. The feelings I want to express in my work are true to my own experience, and my experience is to a large degree influenced by the reality I work in—the beauty and complexity of natural places. more
Drawn to Rock
This small exhibition answers the request for an artistic response to the unique landscape of Brimham Rocks. The goal was to combine traditional photographic working methods with something more deliberately experimental. more
The Beauty Remains
It occurred to me that in the past I used to go to these beloved places for solace and healing, but now it feels as though the healers have fallen ill themselves. more
Key Lessons from Old Pictures
As art students, we were taught the principle of being prepared to ‘Sacrifice the Beloved’. This gory-sounding epithet means that those parts of a piece of art we might have considered crucial in the early draft, or original concept, sometimes have to be ditched to allow the final version to really work. more
The Promised Land
Joshua Tree National Park is wonderfully ordinary and I understand its popularity. Slowing down to listen to cactus wrens, watch the light change, and photograph with no expectations has been one of the greatest gifts I’ve received as a photographer. more
Judge or Be Judged
I’ve written quite a lot about competitions in the past but being as we’re so close to the opening of submissions for the Natural Landscape Photography Awards, I wanted to go into a bit more detail about the process of judging more
On Equivalence, Expression, and Art
Photographers aiming for equivalence are most often those who are intrinsically motivated to find value in the creative process for its beneficial effects on their own psyche and on the quality of their inner experiences. more
The Karakoram by Colin Prior
This book and these photographs truly are the summits of Colin Prior’s lifelong journey of the imagination. Although it has taken more than 100 years, finally, Vittorio Sella’s baton has been well and truly passed on to Colin Prior. more
Paulo Valdivia
After talking to Paulo, and reflecting on the many interviews I’ve undertaken for On Landscape, it’s clear that for everyone inspired at an early age by a parent or relative, there will be others who come to photography later in life. It doesn’t really matter when you start making images or begin any new creative pursuit, so long as the timing is of your choosing, and you trust yourself. What comes across in our interview with Paulo is a more
Photographing the Un-Grand Landscape
With a fine-tuned ability to see, photographic opportunities will inevitably increase; but that will be of small value unless there is a willingness to receive them with an open mind. more
What Is Real?
We must be unapologetic and explicit in our aim to show viewers things they almost certainly would not see on their own, to inspire in our viewers experiences they would never have if it were not for our subjective sensibilities and feelings, our creative and expressive skills, and not just our technical abilities. more
The Devil’s Dictionary
Many of you will already know or will have heard of The Devil’s Dictionary by Ambrose Bierce which is often cited as one of the greatest satirical works of American literature. more
When Time, and Trees, Stood Still
Although photography is a visual medium I like the idea, or sense, of listening to the trees, of being receptive to their whispering voices. And I heard that there is much to be said for standing still. more