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Opportunity Cost
Edward Weston wrote in his Daybooks, “If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” In the literal sense, Weston was wrong. more
Photography: An Art Born of Science
I have been fascinated by the gap between how I see and how the camera sees, by the gap between illusion and science. Like the prisoners in Plato’s Cave, I have stared at the flickering shadows and tried to divine what I can about reality. The tool I have chosen was, as I hope I have shown, forged in science. more
Paul Wakefield
There is an inherent mystery and contradiction in Paul Wakefield’s work that keeps me returning to it. I will never be able to make pictures like Paul’s, nor should I try; perhaps the greatest lesson we can learn from another artist is authenticity, to simply be ourselves. more
The Landscape of Memory
In the photographer’s actual experience surrounded by the light, colour, texture and space of reality, there is simply the moment; a living space/time continuum. more
Not According to Plan…
That day at Poverty Flats had been one of my least productive in terms of photography but actually my experiences informed all the images that I subsequently made in the desert southwest and beyond. more
10 Years of On Landscape
In celebration of our ten years of publishing our magazine, we thought we'd pick some of our favourite content for you to look back on, particularly if you weren't a subscriber from early days. more
Abstraction in Photography
Appreciation of abstract photography also requires a degree of openness on the part of viewers—a willingness to allow an abstract image to impart its intended effect, rather than just to serve as a means of portraying recognisable objects or scenes. more
A Summons to Seriousness
Although we may differ in our preference of where and how we feel most at ease and most motivated to photograph, we all have the choice to consider such situations as “summons to seriousness.” more
The Metaphoric Landscape
Ultimately we all find our own ways of translating what we see in the world, in the landscape, and in our own photographs; and with luck, hope that our way of seeing will find resonance for others. more
On Staying Inspired
Even in my darkest and most anxious times, whether prompted by world events or by abnormal brain activity. I go out, even if it takes some effort, and I make whatever I’m experiencing. more
Altered Landscape
Altered landscapes are a brutal fact of the world around us. They speak of our insatiable appetite for earth’s resources and are a warning of what might happen if we continue the unchecked development and globalisation strategy of the last decades. more
Peter Henry Emerson
Emerson is now well-known as one of the foremost 19th Century photographers, particularly in his pictures of rural Norfolk and Suffolk2, many of which show people working in the landscape. more
Celebrating Wilderness Photographer Philip Hyde
Although the photographic world has changed dramatically since Phil was pioneering conservation photography, the great need for vigilance, activism and the sharing of our photographs to inspire others has not. more
Phases
Continual growth and development as a product of the evolution of vision is a constant among all serious photographers and artists in general. However, there is a difference between evolution of vision and “finding” one’s vision. more
On Photographic Technology
No matter how conservative or traditional we are, or wish to be, in our work, I believe that a proactive and rational approach to assimilating (or rejecting) new technologies is a better strategy than to be in denial of them. more