on landscape The online magazine for landscape photographers
Category Archives: Editorial
Guy Tal - Abstraction in Photography 12
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Abstraction in Photography

Appreciation of abstract photography also requires a degree of openness on the part of viewers—a willingness to allow an abstract image to impart its intended effect, rather than just to serve as a means of portraying recognisable objects or scenes. more

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A Summons to Seriousness

Although we may differ in our preference of where and how we feel most at ease and most motivated to photograph, we all have the choice to consider such situations as “summons to seriousness.” more

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The Metaphoric Landscape

Ultimately we all find our own ways of translating what we see in the world, in the landscape, and in our own photographs; and with luck, hope that our way of seeing will find resonance for others. more

Guy Tal - Staying Inspired 7
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On Staying Inspired

Even in my darkest and most anxious times, whether prompted by world events or by abnormal brain activity. I go out, even if it takes some effort, and I make whatever I’m experiencing. more

Joe Cornish - Strath_Conon clear Cut
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Altered Landscape

Altered landscapes are a brutal fact of the world around us. They speak of our insatiable appetite for earth’s resources and are a warning of what might happen if we continue the unchecked development and globalisation strategy of the last decades. more

Rime Crystals, from Marsh Leaves, 1895
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Peter Henry Emerson

Emerson is now well-known as one of the foremost 19th Century photographers, particularly in his pictures of rural Norfolk and Suffolk2, many of which show people working in the landscape. more

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Celebrating Wilderness Photographer Philip Hyde

Although the photographic world has changed dramatically since Phil was pioneering conservation photography, the great need for vigilance, activism and the sharing of our photographs to inspire others has not. more

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Phases

Continual growth and development as a product of the evolution of vision is a constant among all serious photographers and artists in general. However, there is a difference between evolution of vision and “finding” one’s vision. more

Guy Tal - Photographic Technology 3
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On Photographic Technology

No matter how conservative or traditional we are, or wish to be, in our work, I believe that a proactive and rational approach to assimilating (or rejecting) new technologies is a better strategy than to be in denial of them. more

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A Cairngorms Learning Curve

I wanted to head deep into the Cairngorms to one of the places I’d longed to photograph in winter for many years; the Loch A’an Basin. more

Joe Cornish - Kittiwake Iceberg Greenland
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Landscape as Habitat

It would be difficult to argue with the proposition that all landscape is habitat. Across the world, animals thrive and make their homes in every niche of the ecosystem. With wildlife film-making being the widely disseminated art form that it is, everyone is aware of the sheer variety and peculiarity of the natural world, evolved through time and adaptation. more

Richard White - Killiecrankie Viaduct
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A Last Interview with Richard White

The interview below is the final transcription of that dialogue with Richard. It's taken us a few months to be able to process this interview, as we recognise what it represents. more

Guy Tal - Noise Reduction 10
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Noise Reduction

As noisy as our world is today, it is likely to get noisier still in the years ahead. Merchants of noise—those who profit from noise—are no longer just minor inconveniences, they are enormously powerful media machines. more

TJ Thorne - stand strong
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Portrait of a Photographer – TJ Thorne

The ones that seem as though they were photographed in cold conditions somehow make me feel calm and at peace with the world. more

Alex Hare BookMaking 002
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Photo Book Making

A handmade book can be a beautiful and tangible embodiment of the passion, love and enthusiasm we have for our landscapes and how we choose to present them more

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