on landscape The online magazine for landscape photographers
Category Archives: Editorial
Comments1

The Path Towards Expression

It is then that we start to interpret the world around us, making it visible to others under an appearance strongly tinted by our own perception. When this happens, we stop being mere performers and we become composers. more

Comments1

A Different Viewpoint

To celebrate Mark's exhibition, we asked Mark to revisit his work with the Steamers and talk about how working in this way has affected his photography. more

Comments0

Fotospeed Fine Art Paper Review

What most people will want to know is: What’s the practical difference between these papers and will the resultant prints be the best they could possibly be? more

Comments1

Why Monochrome?

By working without the distraction of emotional colours I am freer to abstract the raw elements of the photograph and to steer them into my own framework of the emotions that I wish to communicate and share. more

Comments5

7 Principles to Reduce the Individual & Collective Impact of Nature Photography on Wild Places

Being part of the team that created the 7 Principles encouraged me to rethink my own behaviours and I have made some changes in response. more

Comments2

Looking for Landscape Photography

At its best landscape photography may give an insight into the landscape photographed, and also into the life and perspective of the photographer. As in all areas of photography, landscape is a theme of infinite potential. more

Comments1

Behind the Photograph

As well as being frozen by the beauty of what you're looking at or the magnificence of what you're looking at. So you've got that to deal with as well, you've got to convey something of your sense of wonder. more

Comments4

Art and Flow in Photography

There is no doubt in my mind that practising photography with the attitudes and conditions conducive to flow—making it deliberately difficult, challenging, stretching one’s abilities and imagination, requiring prolonged focused engagement and consuming as much attention as one can muster—can make photography as rewarding to an artist as any other pursuit practiced with the same mindset. more

Comments4

I never expected that

It is this process of going back to Yew Tree Tarn many times and allowing myself to see the same trees, the same grasslands and experience the transition of the seasons, that firmly placed seeds in my mind that gradually germinated and flourished into latent photographs. more

Comments2

Quest for Calm

The content of the image i.e. the arrangement of the visual elements could be compared to the words chosen to form sentences, while the tone in which they are uttered similar to the tones we select for rendering our images. more

Comments0

Interview with Greg Stewart of Kozu Books

We work very closely with the photographers in order to create a photo book that totally reflects their identity, this is crucial to the finished book and its success. more

Comments0

An exploration of Brian Eno’s ‘Ambient 4 : On Land’

The album includes tracks titled, ‘Lizard Point’, ‘Lantern Marsh’ and ‘Dunwich Beach, Autumn 1960’. My interest was piqued. Where were these places, and what did they have to do with the music? more

Comments0

Monochromatic Lens

Monochromatic Lens is the system I use and teach photographers wishing to explore monochrome photography. more

Comments0

Creation by Passing Ducks and The Representation of Reality

I suggest only that if an image is to have any deeper meaning in the realist sense, then keeping a strong link between image and the real landscape is important. more

Comments3

Beyond Equivalence

The Equivalent is one of those ideas that in practice grows by the efforts and accomplishments of the people who explore it. ~ Minor White more

On Landscape is part of Landscape Media Limited , a company registered in England and Wales . Registered Number: 07120795. Registered Office: 1, Clarke Hall Farm, Aberford Road, WF1 4AL.