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Photographing Rocks
As visual artists, we are as trained as anyone in the power of perspective: the multi-dimensional relationship between “the world” and one’s point of view. more
Iconic Landscape
Arguably, one of the hardest tricks in photography is to make genuinely different, interesting photographs of extremely well-known – iconic (for want of a better word) – places. more
Listening to the Arctic
The best way to make observations in the Arctic is to be passive, to drift with the dynamic frozen ocean. The German Icebreaker Polarstern has been doing exactly that since the start of October 2019. more
The hidden value of the humble peat bog
The UK’s peatlands store over 3 billion tonnes of carbon – that’s roughly the same amount as all the forests in the UK, France and Germany combined. more
Living a Visual Life
I approach things mostly by intuition, but when I feel that a photographic opportunity may be present, or when I feel a desire to make a photograph, I slow down and consider consciously what possibilities and visual components are available to me, and may come up with ideas that were not originally obvious. more
The Meaning of a Life
But what role does photography play in this life, and why is it so important, not just to me, but to millions of others around the world as well? Have we lost sight of this meaning, and can we get it back? more
Geographic Landscapes
Undoubtedly, landscape photography would appear to have earth description as its very foundation. more
Meeting of Minds Conference Update
It is a month since we launched tickets for the 2020 Meeting of Minds Conference and we have sold more tickets so far than we had in total for our first conference back in 2014! more
The Path Towards Expression – part 2
In this article, I would like to ponder: what is expressive photography? What does it take to reach this level in your photography? Which traits or characters tend to define the philosophy and modus operandi of the expressive photographer? more
Why did you take it?
This question is not given a lot of thought and this can be the difference between an excellent image and an average, or even a bad one and responses can be convoluted and unclear. more
Living Lightly in a Consumerist Industry
In today's global photography community, the temptation of an extra few megapixels here, and a slightly sharper lens there, or any modicum of additional functionality is hard to avoid with gear chat being one of the core currencies of conversation among fellow 'togs more
The Path Towards Expression
It is then that we start to interpret the world around us, making it visible to others under an appearance strongly tinted by our own perception. When this happens, we stop being mere performers and we become composers. more
A Different Viewpoint
To celebrate Mark's exhibition, we asked Mark to revisit his work with the Steamers and talk about how working in this way has affected his photography. more
Fotospeed Fine Art Paper Review
What most people will want to know is: What’s the practical difference between these papers and will the resultant prints be the best they could possibly be? more
Why Monochrome?
By working without the distraction of emotional colours I am freer to abstract the raw elements of the photograph and to steer them into my own framework of the emotions that I wish to communicate and share. more