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Graeme Green
A great landscape photo should have some kind of emotional power and get a response from the person looking at it, rather than just being a representation of a location. more
The Uninvited Guest
The guest we carry around with us is fear; fear of failure, of not fitting in, of not living up to our expectations, the vision of our perfect self, doubting ourselves, even when in our own minds we are clear as crystal. more
It’s Time We Were Critical
Used this way, by explaining why something works and constructively criticising less well-executed work, criticism can really help others improve their work. more
Lyme Disease
I don’t know if it was before or after my trip to London that I decided to write an article on ticks and Lyme disease but since I did start writing, my level of Lyme disease paranoia has been a bit scary. more
What to Expect When You’re Not Expecting
You may well find that the best preparation for a photographic outing, is to deliberately go unprepared. more
Reclaimed
The diamond mining ghost town of Kolmanskop, a collection of skeletal buildings a short way off that same highway, is a testament to just that fact. more
Deception by Realism
Photographers working in such places, wishing for their images to convey impressions such as wildness, remoteness, or peaceful contemplation, often compose their photographs deliberately to exclude people, roads, and structures that might betray the true nature of the place and the true experience of being in it. more
Meaning: You Get to Decide
Do not let the fear of outside judgment and opinions limit your vision. Defining what’s meaningful to you requires courage and conviction. more
Remnants on the High Plains
The objective of finding the abandoned places led me through some of the most beautiful grasslands I have ever seen. more
Letting go of Truth
To be honest, this all contributes to my love affair with monochromatic photography. Because abstraction is more obvious for the viewer, and for me, it gives me more artistic freedom. more
The Dunes at Oceano
The area has an interesting history and has been the subject of some classic photographs, most notably by Edward Weston, his son Brett Weston and Ansel Adams more
Ditching Graduated Filters
Setting aside my own experiences there are many reasons to make the case for a “gradless” capture process. more
A Question of Meaning
I believe that what a photograph is about is but one manifestation of self-expression. I express myself in every photograph by way of the decisions I make at the time of capture and in processing. more
The restorative effects of landscape photography
For so many landscape photographers, there is a reverence for nature that is reflected in our images. The natural world provides relief from the burdens of everyday life, with studies showing that time spent in nature has a measurable positive effect on our stress levels and state of mind. more
Time to reflect…
Mystery lurks in the disparity between how I see and how the camera sees. I’m more interested in the ways in which they imperfectly match than in any apparent congruence. more