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Iceland from above
In 1995, during my first visit to Iceland, I discovered a book with aerial photographs of Iceland by German photographer Klaus Francke. I was blown away by the colours and the complexity of the Icelandic landscape. more
Looking back, looking forward
On a now regular, long, late night drive home from Teeside I was running back through all the different combinations of camera equipment I have used since taking up photography back in 2000. more
Looking for excellence
We all know how a memorable photograph looks like. We have so many examples that take our breath away. It takes talent, chance, work and a lot of passion. more
An alternative view…
As always, my inclination is to look for things other than the grand vista to photograph, to search for things that speak to me more of what I personally consider the essence of this place more
The Perils of Social Photography
Discussions of photography most often focus on aspects of making images—tools, techniques, locations, subject matter, etc. All are important, to be sure, but one topic that is consistently neglected and that, in my opinion, is equally worthy of consideration is the photographer’s motivation. more
Mount Fitzroy
The first time I heard the word mentioned, was sometime in the mid 70-ties. It was through a documentary film shown on about a British expedition across the Argentinian glacier Hielo Sur. more
Art and Inspiration
We can think of inspiration as the state of finding profound joy and meaning in the making of our work, in which case it is indeed correlated with what psychologists term flow – a state of great contentment that ensues out of becoming so consumed in an activity that no attention is left over for other concerns. more
Polar Voyages
Wilderness is affecting, and most who travel to these regions are changed forever by the intensity and power of raw nature. The harshness, the birds, fish and mammals that carve out a living here, the weather, and the indescribable beauty of the landscapes can haunt your imagination, shift your perspective, even change your values and understanding. more
Abisko
Few people outside Sweden have never heard about Abisko National Park. This is why I want to give a try to put it on the photographic map. more
Has colour photography finally come of age?
It’s almost 190 years since Nicéphore Niépce made the first light-fast photographic image. That image was monochrome but I’m not sure that modern photographers understand how recently colour photography became widespread or how radically things have improved in the last ten years. more
When is a Cliché not a Cliché
This article isn't composed of my own solid definition. As a photographer I'm trying to come to my own conclusions about how photography works and what tools we have to play with. I'd be very interested in your own thoughts on this. In the last article, I talked about how the cliché is not in the subject itself but the approach that a photographer takes in photographing that subject and that true artists can use clichés as positive components in more
Healing
And so after feeling that my time at Thirlmere had come to a natural conclusion I decided to make Holme Fell and Hodge Close Quarry my area of discovery for 2015. Located between Ambleside and Coniston, although closer to the latter, it was really convenient for me to get to from our little bolthole at Skelwith Fold more
The Pros and Cons of Clichés
We all need that echo of familiarity to help us have the confidence to make a body of work. We want to emulate the impact that these images had on us, and this can be as restricting as it can be liberating. more
The Original Landscape Workshop
I first came across John Blakemore`s “Inscape” exhibition at Buxton Art Gallery in what must have been the early to mid 90s. more
There’s no Art without…
Great Art succeeds in revealing hidden truths: it makes you re-evaluate how you see the world or your fellow humans. more