on landscape The online magazine for landscape photographers
Category Archives: Editorial
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Respect

Take only memories, leave nothing but footprints.” To which I would add, by all means take home images but walk softly and leave as little trace of your passing as you can. more

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Tripod Wars: Time for a Ceasefire?

Imagine the scene – I’m sitting at home in my front room next to my wife, who is watching Grey’s Anatomy (I apologise on her behalf). Having recently subscribed to On Landscape I am busy making my way through the substantial number of previous issues and reading with interest so much of the excellent articles that have been submitted. Being fairly new to landscape photography I am hugely enjoying reading the ideas and thoughts of those much more experienced more

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Indecisive? Moi?!

I've read a small amount about Ansel Adams over the last few years and he has always come across as the master technician of landscape photography. His teaching of the Zone System and his considered 5x4 and 10x8 work was an aspirational example of the master craftsman personified. So it was with a small amount of relief that I read an article about the making of "Moon and Half Dome, Yosemite" and discovered that he wasn't quite the perfectionist more

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Judging Competitions

The process of judging photographic competitions is something that I have been interested in for some time. Many of you will remember my various rants about photographic competitions in the past and also some of my writing about how to suggest a better competition. Well the fact is that I never started that ‘better competition’ and maybe never will, but I am still interested in seeing how these competitions work and also thinking about ways to possibly improve them. [caption more

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On Creativity – Pt 2

Flow was something that happened in my creative life long before I comprehended its significance. Twenty years ago I thought that it was just an odd state that happened from time to time. more

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Exhibition Planning Part 3

This is the third and final instalment of my “journey into world of exhibitions” article. more

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Changing Landscapes?

The representations of the vista we commonly see in photography are still largely bound to the landscape traditions that arose in painting in the seventeenth and eighteenth centuries. more

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Two Days in the Clouds

Do I like putting messy forests in order? No, not particularly, but I am glad I ventured in as I found something I was not expecting, which can only be a good thing. more

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Artistic Style

Tap into your senses and let them come to the fore when you are out on the hill or wherever you are making pictures, and don’t be defeated if you have a bad day, for they come with the territory. more

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Judging Competitions

I’ve written about judging competitions and also other aspects of competitions in the past but in the last year, I’ve been involved in the judging and/or planning of two high profile competitions. more

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Wild Waters, Wetlands & Ice

In June, lots of snow is still left in the highlands. From the air you can see patterns of colourful rhyolite mountains mixed with snow stained by volcanic ash. more

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Leaving Room …

During a recent one-to-one session, my client - a charming, intelligent and talented photographer called Pam - told me that she often agonised about why she made photographs. more

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Shadowlands

The shadow of self doubt is haunting and persistent; no matter how often the reassuring voices are heard it is the questioners and cynics to which the self doubter listens. more

From Edges
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The Ins and Outs of Photography Projects

Anyone who has visited Thomas Towers will affirm that when it comes to projects, I’m a starter of many and a completer of few (none). As house renovations go, this one's a slow burner. With that in mind, I might not be the best person to comment on projects, photographic or otherwise but none the less, I thought I’d provide some of my thoughts on the subject and if we’re lucky, I might even make it to the end more

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To Impress or to Make an Impression

With this short article, I want to open photographers and viewers eyes to the subtle things in nature, to encourage photographers to look away from the obvious. more

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