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On the Artist’s Selfishness
Being selfish at the right time and in the right dosage can be positive because, very often, when life's desires are not met, people implode, causing all sorts of problems and suffering to the people closest to them. more
If you go down to the woods today…
In a recent project, he adopted a picture essay approach for a piece exploring current forestry policy, practices and management in the UK & Scotland today, adding a commentary to a series of images to tell the story. more
Britain’s Temperate Rainforests
In the UK, it is also known as the Atlantic rain forest or Celtic rain forests; this is due to being located on the western side of the UK where Celtic heritage is renowned, and the Atlantic hits our coastline more
Retrospection and the value of closed loop photography
It has been closing the loop again by learning to make the best physical artefacts I can manage and restoring the value from small group and individual retrospection sessions that have helped me to become much happier again with my photographic output. more
You can’t change the world
According to Jordan, in order to “change the world” through photography, the image has to depict an eventful moment, which, due to its intrinsic importance, will be seen by many people, thus gaining the power to influence public perception of that particular moment more
The Point of the Point of the Deliverance
Perhaps my longest personal project is The Point of the Deliverance, a journey around the west coasts of Scotland and Ireland with a large format camera, dark tent and all the chemicals and equipment needed to make tintypes and ambrotypes. more
A Bridge, Not a Barrier
Not every meaningful experience we have in nature can or should be turned into a photograph either. It’s important to be able to recognise when a moment is too fragile or too fleeting, and in order to still be able to experience it ourselves, to not attempt to photograph it at all. more
Phenomenological Landscapes
There is, however, another side of this aspect of being a photographer that can have benefit in our interactions with the phenomenological landscape. A camera is a separating device but also a means of focusing our attention. more
Creative Parallels
David and Joe’s working philosophy regarding this exhibition is to choose photographs which reinforce and confound expectations; images will be chosen in pairs to show correspondences of form, colour, composition and theme. more
Moments in The Wilderness
A large project like this comes with its challenges. Being out alone for weeks on end is definitely one, and it doesn’t seem to get easier over time. Being away from loved ones is hard, especially when I’m on my own deep in the wilderness. more
The Pursuit of Making Landscape Images and Survival
On the grand scale of things, this progress is all very recent. If you compress the Earth’s entire history into a day, we have had the pleasure of wandering this planet for less than two minutes as modern humans. Cities have existed for just 1/10 of a second. more
Past Masters and Expressive Photography: Hokusai
In a sense, ancient Japan died with Hokusai. The idealised image of ancient Japan we all have died with him. more
Zen and the art of photography
We learn that frustration is caused by desire. It's easy to agree with this wise statement. Perhaps it’s so simple that desire drives us to create pictures which we believe will be successful. more
In Praise of Uninteresting Places
The point is that my father saw nothing of interest and made no photographs here, while I have been tramping happily about this landscape with my camera for several years and haven’t found it tedious yet. more
The Courage to Stand Alone
People often criticise those they admire most because they are living out the dreams they do not have the courage to follow themselves. Or they feel that they are more deserving of the praise or success that someone else has received. more