on landscape The online magazine for landscape photographers
Category Archives: Editorial
Chris Murray Art Craft 8
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Art vs. Craft

Sticking with the music analogy, I have seen videos on Youtube of musicians performing song covers on their respective instruments. That these people are talented is without question, they hit all the right notes. But, that alone does not make them artists. more

Theo Bosboom Limpets In The Landscape (11)
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Limpets in the Landscape

Although limpets are widespread and can be easily observed at low tide in many places along the Atlantic coast of Europe, the life of limpets is completely unknown to most people. more

Frc4942
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Past Masters and expressive photography

In this second part, I'm going to explore their thoughts on perfection and on influences. To see how their mature thinking can be applied to our approach towards expressive photography. more

Luminosities
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Transcendent Forms and Noble Lies

I wrote this article as a possible first in a series themed “Philosophy for Photographers.” My hope is that it might help photographic artists understand photography in the greater context of historical thinking about art. more

Forbidden, 10 13 19
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The Prospect of Happiness

Mostly this has to do with the idea that happiness is a relative state, rather than absolute. In this, it is meant that happiness may only be brought about by alternative factors in life, rather than life itself bringing about happiness. more

F000695
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Classical Photographers and Jazz Photographers

Ansel Adams spent much of his early years training to become a classical pianist. He often mused about the ways his musical training has influenced his photography. more

Frc2056
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Past masters and expressive photography

The modern concepts in arts, which evolved from Realism, Impressionism, and post-Impressionism to the abstract art forms we have today, were far from being conceived, let alone being recognised as art. more

Riverbank And Ruins
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Still Time to Wonder

UNESCO have granted Fountains Abbey and Studley Royal, World Heritage Site status specifically because of the fusion of different – created – landscapes which follow in sequence down the valley of the River Skell. more

Lake Thus From Lessigen 1904
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The Parallelism of Ferdinand Hodler

he photographer is more constrained. The choices are those of framing, light, and the length of exposure. These can all influence the degree of parallelism, symmetry, rhythm and the unity of nature evident in a final image. more

The Low Drone 11
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The Low Drone

In this article, I would like to zoom in on another, in my opinion much less widespread, application of the drone for landscape photography. This does not involve flying high - on the contrary. In this technique, the drone is used to create intimate landscapes more

Guy Tal Colour As Form 2
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Colour as Form

Kodachrome, introduced in 1935, was the first colour film to be mass-marketed successfully. Although Kodachrome quickly became popular with hobbyists and commercial photographers, so-called “fine-art photographers” have initially shunned the use of colour, and many have expressed derisive views of colour photography. more

Ljz7811 Edit
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Moving Day

But what about the photography? Has that been as satisfyingly enjoyable as the lifestyle? In a word? No. Mist is a thing of the past. more

Chris Murrary Dune Fatigue 8
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Dune Fatigue

It's not to say many if not most of the images aren’t beautiful, they certainly are. But, it’s the worn out subject matter that has me tired and questioning. Why are so many photographers limiting themselves to such popular subject matter and places? more

Minimus
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Finding Calm

I’ve often been told that my images portray a sense of calm and maybe that’s a result of what I find rewarding in an image or what my eye is naturally drawn to. more

Samuel Fradley Winds Of Change 3178
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Winds of Change

After Britain’s exit from the European Union, many have wondered what Britain’s place in the world is, what it should be and what it could become? more

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