Join the conversation
Subcribe to comment rss feed
End frame: The Isle of Rhum from the isle of Skye by Paul Wakefield
There is a sense of drama and even a touch of melancholy in the soft yet dramatic light being just sufficient directional and beautifully orchestrated in order to bring out the details in the foreground where strong lines draws the viewer into the scene. more
End frame: “Trees in Gale” by Sir Wilfred Thesiger
Thesiger, a largely self-taught photographer, realised that he could bring to life the incredible scenery he witnessed and the peoples whose cultures he respected and cherished. more
End frame: ‘Shadows on the wall, Firostephani’ by Clive Minnitt
The angle used perfectly displays the design of the composition - the ever important gap between the terracotta vessel and the edge of the staircase. more
End frame: Tenaya Creek, Dogwoods by Ansel Adams
I’ve always been inspired by Ansel Adams’ work, not just because he was a great photographer, but also because he was a great conservationist, and that combination really resonates with me. more
End frame: Chongqing XI, Chongqing Municipality by Nadav Kander
An image I believe demonstrates many of these qualities and a favourite of mine is ‘Chongqing XI, Chongqing Municipality’ by Nadav Kander. It is part of his award-winning series ‘Yangtze, The Long River’. more
End frame: East Branch, Middle Brook, Somerset County, New Jersey by William Neill
There is the calm of autumn emphasised by the lack of movement in the water and in the trees, creating perfect reflections. It is quite meditative. more
End frame: Sea Mist, Iceland by Tim Rudman
Many excellent photographers have developed compelling bodies of work with Iceland as the sources of their inspiration. But the work I keep returning to is that of the master monochrome printer, Tim Rudman. more
End frame: Confluence by Jenifer Bunnett
At first glance, it seems that there is just a single white wave starting its return to the sea but then my eye is drawn deeper into the photograph where there are actually many layers. more
End frame: School’s Out, Ballachulish by Tim Parkin
Tim Parkin rarely makes an image in black and white and does not normally include people. His photograph ‘School's Out’ is, therefore, a break in his usual style. more
End frame: Cedars and rock circle, Merced River, Yosemite National Park, California, 1986 by William Neill
It hints at something out of the natural order. Peaceful but somehow slightly unsettling. There are many of the usual components of a landscape photograph, trees and rocks and water but no foliage. more
End frame: Boreray, St Kilda by Scott Robertson
I have never been to the St Kilda archipelago, but thanks to Scott's enormous efforts I feel like I have. more
End frame: The Arctic National Wildlife Refuge, Alaska (2009) ~ Sebastiao Salgado
You can feel the depth and breadth of the valley, its old age as if it were from time immemorial as if we were looking at the moment of the birth of our planet. more
End Frame: Hans Strand, Late Autumn mist, Lake Trekanten, Sweden, November 2009
Lars-Åke Nygren chooses one Hans Strand's images, "Late Autumn mist, Lake Trekanten, Sweden" as our End Frame more
End frame: Kärrmark by Jan Tove
The chaos has become cosmos, order. But there is something unpleasant about the picture, the branches stick to me and the moody colour scale and the messy bushes force the viewer to choose whether it's beautiful or just scary. more
End Frame: Convergence, Iceland by Rafael Rojas
There is just enough space between the receding wave which mirrors the cliff exactly and the cliff to draw you through to explore the rest of the picture but always pulls you back to that point to start again..... Genius. more