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End frame: Nefyn by Pete Hyde
I can't exactly remember how I came across it but I immediately got amazed by that sense of getting lost in emotions that you can feel in each of his pictures. more
End frame: Incoming by Andy Bell
How can I sum up the Andy’s sea work? There is wilderness. Isolation. Power. And above energy, all to reflect the sea being at the edge of change. more
End frame: The sum of its parts ‘Dalí Atomicus’ by Philippe Halsman
As someone who initially began their introduction to the world of art via the traditional mediums of oil and charcoal I’ve always been drawn to work that connects the historical and traditional to the relatively modern advances of image capture and editing. more
End frame: ‘Point 660 2’ by Olaf Otto Becker
One of the things that really struck me about this image was the almost theatrical juxtaposition of the figures somewhat inappropriately dressed, standing on the Glacier, almost oblivious to the environmental crisis it is facing. more
End frame: Blue Lake Creek by Peter Dombrovskis
There are very few pictures of Peter in the field working with his camera, but Colin made two photographs that day – one of Peter working and one of me and Peter with our cameras. more
End frame: Blade of light by Rafael Rojas
The photographer who created this image, Rafael Rojas, is a master at seeing, and takes great pleasure in teaching people how to see and to master the use of photography as a creative tool of personal expression. more
End frame: “Wiltshire, October” by Barry Thornton
I thought that all these great photographers are well known, and that it might be interesting to choose someone who is not a public figure. Looking through my photographic books, I decided to choose Barry Thornton. more
End frame: The Snake River. Cauldron Linn, No. 2 Jerome County, 2003 – 2004, Thomas Joshua Cooper
In the summer of 2003, Thomas Joshua Cooper travelled to Shoshone Falls in southern Idaho to photograph where the Snake River had tumbled across a 212 foot precipice more
End Frame: Shell Pocket Twilight by Joe Cornish
While looking through First Light, it also dawned on me that many of the images in the book, especially Shell Pocket Twilight, are much more than just a photograph. more
End frame: Tidal Pool #5 by Marianthi Lainas
When I saw this photograph by Marianthi, my first thought was that I was not sure if I was looking at the sea, but I definitely felt it. more
End frame: Advendalen by Sandra Bartocha
The ethereal lighting illuminating the mountainside is what immediately draws the viewer into the landscape. This low sunlight radiates a warmth that perfectly complements the cold blues of the arctic tundra. more
End frame: Quietly – Marin County Hills, CA (Infrared) by Nathan Wirth
Titled “Quietly - Marin County Hills, CA (Infrared)”, this image is a striking example of how black and white photography is more, not less. more
End frame: Arctic Birches at Sunset, Lake Tornetrask by Lizzie Shepherd
What first drew me to Lizzie Shepherd’s Arctic birches at sunset, Lake Tornetrask, were its lovely muted colours. Winter in northern regions is sufficiently devoid of strong colour that we’re tempted to revert to monochrome. more
End frame: PIA19952: The Rich Color Variations of Pluto’ by New Horizons
Picking a photo for Endframe was exquisite torture. There isn’t a photographer I revere above all others. (There are too many to choose from!) Or even one particular favourite ‘go-to’ photo. (Ditto!) And don’t get me started on locations; I could happily wile away an afternoon looking at great landscape images from anywhere on the planet. Thinking about it, I could happily wile away an afternoon looking at great photos on any subject, not just landscapes. Can you see how more
End frame: Laurent Kronental « Souvenir d’un Futur »
At a time when questions of representation and representativeness are often raised in documentary photography, it's interesting to note how a singular approach manages to stand out and offer a more subjective view of a subject. more