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End frame: Quietly – Marin County Hills, CA (Infrared) by Nathan Wirth
Titled “Quietly - Marin County Hills, CA (Infrared)”, this image is a striking example of how black and white photography is more, not less. more
End frame: Arctic Birches at Sunset, Lake Tornetrask by Lizzie Shepherd
What first drew me to Lizzie Shepherd’s Arctic birches at sunset, Lake Tornetrask, were its lovely muted colours. Winter in northern regions is sufficiently devoid of strong colour that we’re tempted to revert to monochrome. more
End frame: PIA19952: The Rich Color Variations of Pluto’ by New Horizons
Picking a photo for Endframe was exquisite torture. There isn’t a photographer I revere above all others. (There are too many to choose from!) Or even one particular favourite ‘go-to’ photo. (Ditto!) And don’t get me started on locations; I could happily wile away an afternoon looking at great landscape images from anywhere on the planet. Thinking about it, I could happily wile away an afternoon looking at great photos on any subject, not just landscapes. Can you see how more
End frame: Laurent Kronental « Souvenir d’un Futur »
At a time when questions of representation and representativeness are often raised in documentary photography, it's interesting to note how a singular approach manages to stand out and offer a more subjective view of a subject. more
End frame: 2.56pm, 1st January 2018 by Chris Harrison
The photograph (a single image) is the view through a very damp and smeary window on the top of a double decker bus. I think anyone who has spent time on a fuggy bus journey on a wet winter day can relate to the condensation dripping down the windows and the blurry view of slow traffic and wet people scurrying around below. more
End frame: Cherokee Autumn Forest by Christopher Burkett
Burkett masterfully arranges the colourful leaves and contrasting lines of the tree trunks and branches, evoking the harmony rather than the chaos that often exists in nature. more
End frame: Gneiss Boulders, Isle of Harris by Lizzie Shepherd
I love the transition zones, where the hardness of the rocky shore meets the soft texture of the breaking waves, followed by the colour transition of the blue sea into the soft grey of the distant mountains. more
End frame: Alpine Clouds, Sarek National Park – March 2015 by Magnus Lindbom
Magnus’ image “Alpine Clouds” reveals the special, timeless qualities of the mountains and represents a deep, ongoing commitment to exploring the region through the seasons and over the years more
End frame: Tulip Celebrations – 4 by John Blakemore
The picture I have chosen is a part of John Blakemore’s tulip journey called ‘Tulip Celebrations - 4’. Before I explain my choice of photograph, allow me to say a little about John’s approach to photography, drawing on his own words. more
End frame: Music Temple, Glen Canyon, Utah by Tad Nichols
Music Temple shows a calm curved section of the Colorado River as it runs beneath curved buttresses of sandstone. The bright sunlit sections contrast with the dark streaks of desert patina on the rock. more
End frame: Bridalveil Fall Winter into Spring by Charlotte Gibb
This photograph by Charlotte Gibb has been amongst my very favourite images for quite some time now. It is obviously a photograph of a well-known waterfall in the iconic Yosemite National Park, a place that has been photographed over and over again by so many, including of course, the unforgettable Ansel Adams. The reason why I chose this image as a favourite is because Charlotte has managed to make a photograph of an iconic spot that more
End frame: Lake Julien by Joshel Namkung
The colour contrast between the reflected blue sky on the water and the yellow grass delineates the two parts of the scene cleanly. more
End frame: Cattle, Turbine, Pylon by Robin Friend
The inclusion of the wind turbines clearly date stamps the image as post late 20th century, in the same way that the horse and cart in the Hay Wain dates Constables’ painting to the early 19th century. more
End-frame “Forrest Bench” by Lyle Gomes
Photographer, Jonathan Chritchley, put me on the track of Lyle Gomes. This picture is on the cover photograph of the book “Imagining Eden: Connecting Landscapes.” The book contains photographs made over a sixteen-year period from locations in America and Europe. more
End frame: Between Dog and Wolf by Chrystel Lebas
The title Between Dog and Wolf refers to the French expression entre chien et loup, which is used to describe the time of day when it is too dark to distinguish between a dog and a wolf. more