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End frame: Secluded by Ben Horne
I have a tendency towards that slippery slope of becoming disillusioned through comparison, so one photographer whose work I find immensely inspiring and refreshing is Ben Horne. more
End frame: Headland by Jackie Ranken
There is movement here as well, lovely shallow curves of the headland that might continue up and around to the top left. Where are they taking us? Another beach, more sandy shore, water, or not? more
End frame: South Stack Lighthouse, Holy Island, Anglesey 1978, Denis Thorpe
Still photographing in his late eighties from his home in Stockport, England, Denis Thorpe’s landscape images demonstrate the power that derives from locating them within the context of a broad range of other photographic genres. more
End Frame: Crossed Aspens and Sapling, near Ashcroft, Colorado By John Sexton
‘Desert Island Discs’ is a long running BBC Radio 4 series that was first broadcast on what was then the BBC Forces Programme on the 29th January 1942, with its first guest being Vic Oliver, actor and radio comedian. The format of the show for those who aren’t familiar with British radio is that people who have made a name for themselves in whatever field, (I hesitate to use the word ‘celebrity) are invited to imagine that they have more
End frame: Submergence by Joe Cornish
I have spent so many hours photographing abstracts on the English coast and the print of Submergence evokes many memories. more
End frame: Metaflora Series, Walter Chappell
Making his electron photographs in complete darkness, Walter found a way to capture a whole new life in these organic materials, essentially electrocuting them, in order to reveal the spirit/light within. more
End frame: Radiant Mountain Aspen by Christopher Burkett
Burkett is recognised nationally for making Cibachrome prints that employ sophisticated and unique masking techniques. He hand-prints his 8 by 10-inch transparencies to sizes of 20 x 24 inches, 30 x 40 inches, and 40 x 50 inches. more
End frame: Broichbachtal 41 by Manfred Geyer
‘Your own photos are never enough.’ Robert Adams’ observation (from his book Why People Photograph) has adorned my profile page on Flickr since I joined in 2006. more
End frame: Twin Oaks 1956, Wynn Bullock
The photograph is not only about two trees. For me, it's more about the complexity of nature, that there is always something more to discover if one just takes the time to look. more
End frame: Fruit Trees, Laimbach, 2010 by Bernhard Fuchs
To me, his photography encompasses an absolute mastery of the technical side of the medium with a strong sense of emotion more
End frame: Dorset, 1986 by Sir Don McCullin
McCullin’s landscapes have helped to inspire me to look more carefully at my immediate surroundings, with a view to taking photographs, and to broaden my ideas about what makes a suitable subject for a photograph. more
End frame: First in the Series of ‘Oracles’ by David Parker
I love this photograph because it is so mysterious. What is happening? Is it real? Is the water falling or rising, magically suspended or turned to ice? more
End frame: Toward Los Angeles, CA by Dorothea Lange
During a year like this, when the pandemic is giving us millions of souls to weep for as well as to remember, the imperative is to build our future by studying the past. Awareness of the past is the sharpest weapon we have in determining our future. more
End frame: Raplee Anticline and the San Juan River, Utah by Christopher Brown
The geology of this area of southern Utah is also interesting. The Raplee Anticline, near the town of Mexican Hat, Utah, was formed by the same plate tectonics that pushed up the Rocky Mountains some eighty million years ago. more