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End frame: Radiant Mountain Aspen by Christopher Burkett
Burkett is recognised nationally for making Cibachrome prints that employ sophisticated and unique masking techniques. He hand-prints his 8 by 10-inch transparencies to sizes of 20 x 24 inches, 30 x 40 inches, and 40 x 50 inches. more
End frame: Broichbachtal 41 by Manfred Geyer
‘Your own photos are never enough.’ Robert Adams’ observation (from his book Why People Photograph) has adorned my profile page on Flickr since I joined in 2006. more
End frame: Twin Oaks 1956, Wynn Bullock
The photograph is not only about two trees. For me, it's more about the complexity of nature, that there is always something more to discover if one just takes the time to look. more
End frame: Fruit Trees, Laimbach, 2010 by Bernhard Fuchs
To me, his photography encompasses an absolute mastery of the technical side of the medium with a strong sense of emotion more
End frame: Dorset, 1986 by Sir Don McCullin
McCullin’s landscapes have helped to inspire me to look more carefully at my immediate surroundings, with a view to taking photographs, and to broaden my ideas about what makes a suitable subject for a photograph. more
End frame: First in the Series of ‘Oracles’ by David Parker
I love this photograph because it is so mysterious. What is happening? Is it real? Is the water falling or rising, magically suspended or turned to ice? more
End frame: Toward Los Angeles, CA by Dorothea Lange
During a year like this, when the pandemic is giving us millions of souls to weep for as well as to remember, the imperative is to build our future by studying the past. Awareness of the past is the sharpest weapon we have in determining our future. more
End frame: Raplee Anticline and the San Juan River, Utah by Christopher Brown
The geology of this area of southern Utah is also interesting. The Raplee Anticline, near the town of Mexican Hat, Utah, was formed by the same plate tectonics that pushed up the Rocky Mountains some eighty million years ago. more
End frame: Trees from a Train No. 109 by Cole Thompson
Cole Thompson's display of spontaneity, discovery, experimentation and tenacity is certainly not unique for photographic artists; most seasoned landscape photographers employ them at one time or another in the execution of their work. I more
End frame: Winter Morning by Theo Bosboom
At first glance, there’s not much happening in the bottom half of the frame, but it’s a wealth of fine texture and colour nuances, bringing a subtle line up from bottom left towards top right that meets the curve of snow crust. more
End Frame: Callanish Shadows by Wojciech Kruczynski
The only aspect allowed to move freely outside this circle is the energy flow. Where is it going and why? What other energy resides in the circle? Why are they there? more
End Frame: Gull’s Nest, Midsummer Eve, Isle of Skye by Bill Brandt
I saw this at an exhibition sometime in the 1980s and it made a deep impression on me. The nest in the foreground with its three eggs and a single feather has a wonderful sense of intimacy, of secrecy. more
End frame: Lone Tree by Michael Kenna
The simple delineation between the ground and sky using subtle changes of grey tones allows the curved V-shaped horizon to sweep across the image gently and is critical in forming a feeling of depth and space. more
End frame: Snow Lines by Lizzie Shepherd
Although the subject is a snowy scene, this is not a cold photograph. The fringe of branches that gracefully dangle over the top of the frame create a sense of haven. more