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End Frame: ‘Dance Off’ by Jeremy Barrett
I had admired his work for a while, his pictures often muted in colour and packed full of brooding moodiness. His woodland images always stood out, organising the chaos into constructive and beautiful ways, capturing fantastic scenes in stunning light. more
End Frame: “The Barn” by Selden B Hill
This image on the cover of the book The Unpainted South caught my eye in a book shop in South Carolina in April 2019. more
End Frame: Lake Baikal from Space by National Geographic and NASA
The majority of images within were shot from the Space Shuttle in the 1980s and ‘90s. There are some earlier ones from the Apollo programme as well. Most of the images are of the earth’s surface, with just a few concentrating on ionospheric meteorology, like auroras. more
End frame: Gateway to the Moors II, North York Moors by Joe Cornish
The golden light on the weathered, wooden finger-post sign, the positioning of the very top of the post against a darker background, the angles of the ‘fingers’ themselves and the intriguing, yet to be discovered, places with unknown names etched in timber and only a few miles away, by pleasant foot, in various directions. more
End frame: Trump Tower, Manhattan by Roger Arnall
Roger is an Australian photographer who will be known personally to many readers. We first crossed paths on a 'light and land' tour twelve years ago, and have travelled together many times since. more
End frame: Cape Light – Joel Meyerowitz
We are all exposed to a massive amount of photography, growing at an exponential rate, but how many of these images ever really stick with us? How many have the profound effect that the artist probably hoped for? How many times have you viewed an image that changed your life? more
End frame: ‘Iona Sun’ by Paul Kenny
When asked to write for the End Frame section of On Landscape, one artist that sprung to mind among many of my favourites was Paul Kenny and especially the image ‘Iona Sun’. more
End frame: Rock, Water and Tree, Cascade Falls, Yosemite 2011 by William Neill
The delicious curving lead from the bottom left is beautifully revealed at this speed and water volume. It fulfils its role perfectly and draws the viewer through the image to the beautiful split rock. more
End frame: Black Lightning by Peter Jarver
I’d never seen storm images like that before, and I wanted to learn how. It took years of time, many disappointments, a few cameras, and a lot of getting wet, to develop an approach that works most of the time. more
End Frame: Wyoming, Train and Car, 1954 by Elliott Erwitt
The first thing that draws my attention is the billowing smoke from the locomotive, then the locomotive itself, and the line of freight cars seemingly stretching to the mountains. more
End frame: Fluitenkruid – Nel Talen
I first encountered Nel’s work through the International Garden Photographer of the Year competition. She was a finalist in the creative category with a very delicate, ethereal composition that immediately resonated with me. more
End frame: Metamorphosis by Alister Benn
There have been many favourite influential images for me over the years. One I remain enamoured with, as much today as the first moment I saw it, is Metamorphosis by Alister Benn. more
End frame: ‘A seat not taken’ by Lars van de Goor
The muted colour palette is sublime, the soft green tones and the delicate balance of the white foliage convey a real sense of spring more
End frame: Clear stream edged with maples, by Shinzo Maeda
Clear stream edged with maples reminds the viewer that we are a part of the natural order of things, and it is our most solemn duty to care for the treasures of nature with which we have been blessed. more
End frame: Paria Canyon, Vermillion Cliffs Wilderness area in Northern Arizona by Jack Dykinga
A mecca of sorts for landscape photographers, Paria Canyon is certainly well documented. Nevertheless, Dykinga’s image stands apart. I was struck by the juxtaposition of the ancient petrified sand dunes with the withered branch. more