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End frame: Fluitenkruid – Nel Talen
I first encountered Nel’s work through the International Garden Photographer of the Year competition. She was a finalist in the creative category with a very delicate, ethereal composition that immediately resonated with me. more
End frame: Metamorphosis by Alister Benn
There have been many favourite influential images for me over the years. One I remain enamoured with, as much today as the first moment I saw it, is Metamorphosis by Alister Benn. more
End frame: ‘A seat not taken’ by Lars van de Goor
The muted colour palette is sublime, the soft green tones and the delicate balance of the white foliage convey a real sense of spring more
End frame: Clear stream edged with maples, by Shinzo Maeda
Clear stream edged with maples reminds the viewer that we are a part of the natural order of things, and it is our most solemn duty to care for the treasures of nature with which we have been blessed. more
End frame: Paria Canyon, Vermillion Cliffs Wilderness area in Northern Arizona by Jack Dykinga
A mecca of sorts for landscape photographers, Paria Canyon is certainly well documented. Nevertheless, Dykinga’s image stands apart. I was struck by the juxtaposition of the ancient petrified sand dunes with the withered branch. more
The Path Towards Expression – part 4
At the very root of the project “Totems” lies a critical opinion about the unsustainable relationship between human beings and their environment. more
End Frame: Autumn Leaves in Wood by Glenys Garnett
Are we looking at the mist in the woodland, or do the colder tones, along with the sparse nature of the leaves, represent the last throws of autumn and the onset of winter? more
End Frame: ‘Dead Camelthorn Trees, Dead Vlei, Sossusvlei, Namibia’ by Frans Lanting
To draw attention to the story he wants to tell, he has to make images which are beautiful, creative and compelling. Therefore, he is always looking for different perspectives and different ways to show us the world. more
End Frame: ‘High Light’ by Colin Prior
What is striking is his capability to capture the authentic spirit of place, and by doing so, his place within that place. He offers some of the most natural interpretations of a landscape more
End Frame: ‘Hrafntinnusker Fog Ice River’ by Bruce Percy
Bruce’s work also teaches us the value of building a relationship with the landscape that we photograph, of returning again and again. more
End frame: ‘Salt’ by Murray Fredericks
Something that stands the test of time and continues to show nuance over a sustained period. This is what Murray Fredericks work has been to me. more
End frame: At the Edges by Lee Acaster
If you haven’t been there, Shingle Street is about eight miles south-east of the Suffolk town of Woodbridge, across the marshes on the far side of the village of Hollesley more
End frame: Glowing Autumn Forest, Virginia by Christopher Burkett
Amongst my more contemporary influences is the photography of Shinzo Maeda and Christopher Burkett; it is Christopher’s image titled ‘Glowing Autumn Forest, Virginia’ that is my chosen end frame. more
End frame: Plate 29, Series called ‘Door suite’ by Ray K. Metzker
Metzker always titled and grouped his images based on their location or technique. He rarely gave individual images a descriptive title. more
End frame: Evening Tracks, Swaledale by Garry Brannigan
There is a natural meeting point of all the lines in the middle of the picture which holds the eye in the frame; so often this is not the case and we wander off the page! The trees on each edge help to emphasis this point. more