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End Frame: Autumn Leaves in Wood by Glenys Garnett
Are we looking at the mist in the woodland, or do the colder tones, along with the sparse nature of the leaves, represent the last throws of autumn and the onset of winter? more
End Frame: ‘Dead Camelthorn Trees, Dead Vlei, Sossusvlei, Namibia’ by Frans Lanting
To draw attention to the story he wants to tell, he has to make images which are beautiful, creative and compelling. Therefore, he is always looking for different perspectives and different ways to show us the world. more
End Frame: ‘High Light’ by Colin Prior
What is striking is his capability to capture the authentic spirit of place, and by doing so, his place within that place. He offers some of the most natural interpretations of a landscape more
End Frame: ‘Hrafntinnusker Fog Ice River’ by Bruce Percy
Bruce’s work also teaches us the value of building a relationship with the landscape that we photograph, of returning again and again. more
End frame: ‘Salt’ by Murray Fredericks
Something that stands the test of time and continues to show nuance over a sustained period. This is what Murray Fredericks work has been to me. more
End frame: At the Edges by Lee Acaster
If you haven’t been there, Shingle Street is about eight miles south-east of the Suffolk town of Woodbridge, across the marshes on the far side of the village of Hollesley more
End frame: Glowing Autumn Forest, Virginia by Christopher Burkett
Amongst my more contemporary influences is the photography of Shinzo Maeda and Christopher Burkett; it is Christopher’s image titled ‘Glowing Autumn Forest, Virginia’ that is my chosen end frame. more
End frame: Plate 29, Series called ‘Door suite’ by Ray K. Metzker
Metzker always titled and grouped his images based on their location or technique. He rarely gave individual images a descriptive title. more
End frame: Evening Tracks, Swaledale by Garry Brannigan
There is a natural meeting point of all the lines in the middle of the picture which holds the eye in the frame; so often this is not the case and we wander off the page! The trees on each edge help to emphasis this point. more
End frame: Dovercourt Lighthouse by Neil Hulme
The lighthouse is a subject that has been shot many times but I think Neil has delivered an image with an air of reflective beauty and mystery. more
End frame: The Dysfunctional Family by Simon Baxter
One of the photographers I follow on YouTube, stands out for his woodland photography; Simon Baxter. Being able to watch Simon discovering, composing and making his images, provides an invaluable insight into his thinking and I hope plants creative seeds in my photographic mind. more
End frame: From the Cemetery Bins – The Graveyard’s Graveyard Series by Al Brydon
Each morning during term time, the photographer Al Brydon takes his son to nursery school. At first, it is up the road, past the local Social Club, then after a while, they turn in at an opening which is the entry to the cemetery. I more
End frame: Vesturhorn by Esen Tunar
It still has that uplifting vibe that I felt the first time that I saw it, and I still feel like I’m stood in the very spot that he was just taking in the wondrous view before me, probably just like he did. more
End frame: Zbyszko Siemaszko – Untitled (sygn. nr. 51-687-30)
We’re faced with a street well populated by people and vehicles, soaked in the pouring rain. Moreover, taken in a black and white which betrays the photograph’s analogue origins and its age. more
End frame: A line made by walking England 1967 by Richard Long
During my recent MA in Photography at UWE in Bristol, we were asked to identify an image which had inspired us. I chose this early work by Richard Long in which he walked up and down a field to make a line. more