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End frame: At the Edges by Lee Acaster
If you haven’t been there, Shingle Street is about eight miles south-east of the Suffolk town of Woodbridge, across the marshes on the far side of the village of Hollesley more
End frame: Glowing Autumn Forest, Virginia by Christopher Burkett
Amongst my more contemporary influences is the photography of Shinzo Maeda and Christopher Burkett; it is Christopher’s image titled ‘Glowing Autumn Forest, Virginia’ that is my chosen end frame. more
End frame: Plate 29, Series called ‘Door suite’ by Ray K. Metzker
Metzker always titled and grouped his images based on their location or technique. He rarely gave individual images a descriptive title. more
End frame: Evening Tracks, Swaledale by Garry Brannigan
There is a natural meeting point of all the lines in the middle of the picture which holds the eye in the frame; so often this is not the case and we wander off the page! The trees on each edge help to emphasis this point. more
End frame: Dovercourt Lighthouse by Neil Hulme
The lighthouse is a subject that has been shot many times but I think Neil has delivered an image with an air of reflective beauty and mystery. more
End frame: The Dysfunctional Family by Simon Baxter
One of the photographers I follow on YouTube, stands out for his woodland photography; Simon Baxter. Being able to watch Simon discovering, composing and making his images, provides an invaluable insight into his thinking and I hope plants creative seeds in my photographic mind. more
End frame: From the Cemetery Bins – The Graveyard’s Graveyard Series by Al Brydon
Each morning during term time, the photographer Al Brydon takes his son to nursery school. At first, it is up the road, past the local Social Club, then after a while, they turn in at an opening which is the entry to the cemetery. I more
End frame: Vesturhorn by Esen Tunar
It still has that uplifting vibe that I felt the first time that I saw it, and I still feel like I’m stood in the very spot that he was just taking in the wondrous view before me, probably just like he did. more
End frame: Zbyszko Siemaszko – Untitled (sygn. nr. 51-687-30)
We’re faced with a street well populated by people and vehicles, soaked in the pouring rain. Moreover, taken in a black and white which betrays the photograph’s analogue origins and its age. more
End frame: A line made by walking England 1967 by Richard Long
During my recent MA in Photography at UWE in Bristol, we were asked to identify an image which had inspired us. I chose this early work by Richard Long in which he walked up and down a field to make a line. more
End frame: Tree Vision by Sandra Bartocha
I can remember this image stopped me in my tracks. It is taken from a series produced by Sandra and is also an image that is evidently an abstraction from reality. more
End frame: Torridonian Sandstone by Alex Nail
For me, it represents the darker and more foreboding side of Scotland and perhaps one which I should embrace more when I encounter it, rather than just purely seeking those wow moment – just one reason I have moved up here. more
End frame: Reclaimed | Padley Gorge , The Peak District by Matt Oliver
It was becoming clear time had been spent with the subject Matt was photographing by really studying the landscape - using his foreground effectively to draw you in immediately. more
End frame: Altitude 2 by Hengki Koentjoro
Hengki Koentjoro’s work demonstrates how black and white photography can be so much more than these two colours. His work encompasses the many shades of grey in between. more
End frame: Glowing Aspens, Castle Creek Valley, Colorado by John Sexton
From the earliest days of my journey in landscape photography, John Sexton has been an inspiration. As one of Ansel Adams’ former assistants, his dedication to producing fine art, black & white imagery using traditional materials is legendary. more