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Brendan Devlin
I like grain, and I like what happens in the highlights with film. They seem to glow. I liken it to how analog recordings sound when driven. There’s a texture and natural compression that keeps the sound from breaking. more
Xavier Lequarré
In our society, emotions are often "suppressed." We are no longer connected to our bodies, to our deepest feelings; we live in our heads. This disconnects us from ourselves and our environment. Conscious photography aims to reconnect us to our sensations and emotions in the present moment. more
Anne Campbell
My love for the Scottish landscape and its remote locations is, for me, better represented using a variety of darkroom processes and papers, than being a perfect HD colour image. more
Charles Millen
The move also reignited my passion for photographing Tasmania’s wilderness. Adjusting to life back home took time, but it allowed me to develop the skills needed to explore and photograph remote areas confidently. more
René Schädler
At such moments, I stretch out my arms and take a deep breath, trying to anchor the indescribable feeling of vastness and stillness within me and - as best I can - transfer it to the picture. more
Matt Oliver
Above all, stay curious, walk around the next corner, over the distant hill; slow down, be patient and observe. I think all these processes have certainly helped me to keep learning and improving. more
Eric Busch
Our conversation with Eric takes us from skateboarding in North America to South Korea and a fascination with traditional Chinese painting and poetry. more
Juan Tapia
Disconnecting allows me to return to photography with fresh eyes, appreciating the creative process in a fuller and more open way. more
Chris Harrison
Not every photo needs to be a standout; some of them can just be good without needing to steal the show. more
Rannveig Bjork Gylfadottir
Rannsy has had a long-standing interest in photography, beginning with capturing family moments with instant film cameras and moving on to explore people and places through travel. more
Nicki Gwynn-Jones
In this issue, we catch up with Nicki Gwynn-Jones to discuss how her photography has evolved. It's been seven years since our Featured Photographer interview with her, and in that time her connection with the rugged landscape, dramatic light and wild seas of Orkney has deepened. more
Mike Curry
The part of the workflow that really interests me is the actual taking of the images, which is a very meditative process that I find very relaxing. I can spend hours and hours at the edge of the water and free my mind from the constant chatter. more
Matt Redfern
Even within an hour's radius of my home, I can point out the subtle changes in the landscape, such as the gradient of tree species encountered while driving through the Cascade Range. more
Len Metcalf
The process of photographing and looking at your work, contemplating, and revisiting, is the basis of my artistic practice. It was how I was taught. It is how I teach too. more
Oliver Raymond Barker
In 2010 there was a seminal exhibition at the Victoria and Albert museum entitles "Shadow Catchers - Camera-less Photography". The show was dedicated to the use of various techniques that involved photographic processes but excluded the use lenses and typical photographic apparatus. I was inspired by the photography of Adam Fuss and particularly that of Susan Derges whose images captured evocative representations of natural processes in an innovative and beautiful fashion. When Michela Griffiths suggested we interview more