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Gary Wagner
An understanding of light links his commercial work and his personal landscape photography which he talks about more for us in this issue. more
Geoff Woods
The image is very important, it must have feeling, and it must speak for you when you’re not there. A picture must say a thousand words as they say. more
Angela Chalmers
Angela is a visual artist based in Scarborough, North Yorkshire, who uses painting, printmaking and photography to explore the themes that interest her. more
Michel Lucas
I am drawn to the vision & words of Jack Dykinga about contemporary landscape photography. In one of his recent interviews, he pleads for so-called ‘whispering images. more
Kathleen Donohoe
What is it that attracts her to the New Jersey Meadowlands, an area known as much for its abuse as for its ecosystem, and why does she choose to work with pinhole cameras and the use alternate processes? more
Chris Gilbert
His workshops are perennially popular and he is also one of five landscape photographers behind the Peak Photography Gallery in Bakewell. more
Pep Ventosa
For this issue, we’re delighted to talk to Pep Ventosa, whose photographic compilations of trees, among other subjects, have inspired many others to try this technique. more
Charlotte Gibb
You will find classic views of these on her website, but she is drawn more to making her own observations of the places which she holds dearest to her heart and which she has developed close relationships with. more
Alex Bamford
Alex Bamford’s solution to the perennial problem of fitting photography around work has been to go out and make images by moonlight. more
Andrew Sanderson
Andrew is a photographer and tutor with over 20 years’ experience and an Ilford Photo Master Printer. more
Kilian Schönberger
Kilian Schönberger is a professional photographer & geographer from Germany. He has previously said that he sees being colour blind as a strength – given the difficulty of distinguishing certain tones, he concentrates on pattern and structure. more
Abelardo Morell
In the early nineties, Abelardo Morell’s decision to photograph the Camera Obscura effect led to an exploration of the interaction between the outside and the inside, initially in black and white and later in colour. He subsequently devised a portable room – effectively a tent fitted with a periscope – which enabled him to take his work outdoors, first into the desert and then into American National Parks. His images of the landscape have an impressionistic quality, but for more
Rachael Talibart
There’s been a noticeable shift in Rachael Talibart’s images over time. Not surprisingly for someone with a self-confessed love of the sea, this has become an increasingly significant part of her work. more
Andy Gray
Andy Gray has developed a technique which frequently uses exaggerated camera movements, and for which the recorded image is merely the starting point more
Scott Robertson
This was my first proper introduction to the world of landscape photography and it was these landscape interpretations that tugged on my imagination and emotions unlike my own snap happy creations. more