Join the conversation
Subcribe to comment rss feed
Colin Bell
Colin Bell is our willing victim this week - an ex video games developer amongst other things, Colin has a particular affinity for the Lake District and his recent images from Rydal Water particularly caught my eye.. In most photographers lives there are 'epiphanic’ moments where things become clear, or new directions are formed. What were your two main moments and how did they change your photography? After getting my more
Phil Malpas
This week we have Phil Malpas as our featured photographer. Phil leads tours and workshop for various companies including Light and Land and My Photoschool and has books on the use of colour in photography, travel photography and a portfolio/guide book with Clive Minnit on 'Finding the Picture'. In most photographers lives there are ‘epiphanic’ moments where things become clear, or new directions are formed. What were your two main more
Joe Rainbow
In most photographers lives there are 'epiphanic’ moments, however small they seem at the time, where things become clear, or new directions are formed. What were your two main moments and how did they change your photography? I think the first clear and decisive 'epiphanic' moment in my photographic career, was when I bought an Olympus OM 30 slr from a friend when I was about 17 years old and more
Nigel Morton
Landscape Photographer of the Year's loss is our gain this week where we're featuring Nigel Morton's images including a few classics that failed to get through the first round of Take a View. In most photographers lives there are 'epiphanic’ moments where things become clear, or new directions are formed. What were your two main moments and how did they change your photography? Well as with most people there have been more
Mark Banks
Mark Banks works with Joe Cornish helping to deliver workshops and post processing tuition out of the North Allerton gallery. In most photographers lives there are 'epiphanic’ moments where things become clear, or new directions are formed. What were your two main moments and how did they change your photography? My first epiphany was when I purchased my first DSLR - A Nikon D70. I was determined to use it properly and to understand what all the different controls did on more
Tim Parkin
In most photographers lives there are 'epiphanic’ moments where things become clear, or new directions are formed. What were your two main moments and how did they change your photography? It's difficult to say about epiphanies - they never quite seem it at the time but I suppose the first was probably when I went out with my wife on a very early dawn patrol to Brimham Rocks. It was more
Adam Clutterbuck
This issue we're featuring Adam Clutterbuck whose black and white work, whilst exhibiting a familiar surface sytle, manages to create something quite fresh - a difficult goal in any genre. Take it away Adam.. In most photographers lives there are 'epiphanic' moments where things become clear, or new directions are formed. What were your two main moments and how did they change your photography? I recall having many more
Paul Arthur
This issues featured photographer hails from Birmingham and works as an architectural, environmental and studio photographer but transforms like a celluloid batman into a landscape photographer when the urge becomes too strong to resist (oops - flowery language filter failure!). Take it away Paul Arthur! In most photographers’ lives there are 'epiphanic’ moments where things become clear, or new directions are formed. What were your two main moments and how more
Melanie Foster
Quite often, the serious landscape photographer, particularly the large format variety, is thought of as a typically male profession - however, when we do see many women picking up a camera they quite often show just what the men should have been doing all along. Mel Foster is very good example of someone who stepped into her photography with an almost perfectly formed style from day one (especially with her more
Hamish Roots
In most photographers lives there are 'epiphany’ moments where things become clear, or new directions are formed. What were your two main moments and how did they change your photography? I think perhaps the first instance would have to be around the time I was first introduced to photography by my father when I was still quite young. He encouraged me to experiment and explore what the camera more
Jason Theaker
Jason Theaker was one of the first photographers I saw on flickr some time ago now and his regular photo uploads with their associated essays, discussing his thinking on photography, gathered him many followers. He lives and works within the Leeds/Bradford area and most of his photographs are created either around the Yorkshire area, quite often a short distance from home, or down in Cornwall where he spends regular family holidays and has lead a couple of workshops with more
Chris Goddard
This month we're featuring a photographer that previously offered some work as an image critique which we featured in issue 12. Chris Goddard is a ranger who works in South Wales but travels the country capturing some stunning imagery along the way. In most photographers lives there are 'epiphanic’ moments where things become clear, or new directions are formed. What were your two main moments and how did more
Baxter Bradford
In this issue we’re talking to Hampshire/Cornwall based photographer Baxter Bradford whose prints from around the granite coastline and Kimmeridge I first saw whilst staying in the Mount Haven Hotel near St Michael’s Mount. In most photographers lives there are 'epiphanic’ moments where things become clear, or new directions are formed. What were your two main moments more
John Parminter
We're talking to a fell runner turned photographer this issue (I wish I was as fit!) and someone with a fascinating take on the classic mountain photography genre. What photographic moments have most transformed your thinking about photography (or have just had you jumping up and down for joy!?) This is the hardest question Tim and I actually left it last to answer; I do know though that I am not more
Hugh Webster
I can’t recall a time when I didn’t take photographs. It’s strange that it never occurred to me before that I could make it my living. more