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Hamish Roots
In most photographers lives there are 'epiphany’ moments where things become clear, or new directions are formed. What were your two main moments and how did they change your photography? I think perhaps the first instance would have to be around the time I was first introduced to photography by my father when I was still quite young. He encouraged me to experiment and explore what the camera more
Jason Theaker
Jason Theaker was one of the first photographers I saw on flickr some time ago now and his regular photo uploads with their associated essays, discussing his thinking on photography, gathered him many followers. He lives and works within the Leeds/Bradford area and most of his photographs are created either around the Yorkshire area, quite often a short distance from home, or down in Cornwall where he spends regular family holidays and has lead a couple of workshops with more
Chris Goddard
This month we're featuring a photographer that previously offered some work as an image critique which we featured in issue 12. Chris Goddard is a ranger who works in South Wales but travels the country capturing some stunning imagery along the way. In most photographers lives there are 'epiphanic’ moments where things become clear, or new directions are formed. What were your two main moments and how did more
Baxter Bradford
In this issue we’re talking to Hampshire/Cornwall based photographer Baxter Bradford whose prints from around the granite coastline and Kimmeridge I first saw whilst staying in the Mount Haven Hotel near St Michael’s Mount. In most photographers lives there are 'epiphanic’ moments where things become clear, or new directions are formed. What were your two main moments more
John Parminter
We're talking to a fell runner turned photographer this issue (I wish I was as fit!) and someone with a fascinating take on the classic mountain photography genre. What photographic moments have most transformed your thinking about photography (or have just had you jumping up and down for joy!?) This is the hardest question Tim and I actually left it last to answer; I do know though that I am not more
Hugh Webster
I can’t recall a time when I didn’t take photographs. It’s strange that it never occurred to me before that I could make it my living. more
Peter Clark
In this issue we talk to Peter Clark - a photographer from Staffordshire who, in my opinion at least, had the best image in this years Take a View competition (The Landscape Photographer of the Year). We asked him the typical questions. In most photographers lives there are 'epiphanic’ moments where things become clear, or new directions are formed. What were your two main moments and how did they change more
Michael Paynton
Michael Paynton, a Hertfordshire based photographer has been working backwards through the camera timeline - from Fuji Digital to a Mamiya twin lens reflex more
David Mould
David Mould lives on the top edge of Glasgow with amazing access to Loch Lomond and Glencoe. He has had quite a profile recently... more
David Taylor
Our featured photographer this issue hails from Northumberland and has developed his landscape photography into a career after leaving the videogame industry in 2004. more
Andrew Nadolski
Images in 'End of the Land' blew me away. The range of shapes and composition inspired me and I was intrigued by the colour - yes, film again! more
Alex Nail
Seeing these images lit a fire inside that has never gone out. if I worked hard I could reach the same standard and that changed my outlook on photography. more
David Baker
I saw a sunset image by Guy Edwardes, the sea looked fantastic and the wave trails ethereal. I tried it myself and was caught - a coast hugger ever since! more
Mike Green
We're featuring another digital photographer this month** who is from Yorkshire and came to my attention with his wonderful image of an old railway fence above Dent station. His flickr stream contains some classic compositions and I hope you enjoy his work and comments as much as I did In most photographer's lives there are ‘epiphanic’ moments where things become clear, or new directions are formed. What were your two more
Michela Griffith
This issue we're talking to Michela Griffith, a photographer who lives near Buxton and whose landscape work I originally saw in the 'Developing Vision and Style' books and whose site I saw quite recently whilst investigating women in landscape photographer (a question I raise with Michela and one we'll no doubt return to. In most photographers lives there are ‘epiphanic’ moments where things become clear, or new directions are formed. more