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Szabó Zsolt András
My favourite locations are remote and not easily accessed; for me, it was always crucial to not have any human traces in the landscape I photograph. For me the essence of landscape photography is to discover, to take on challenges, to be part of adventures. more
Julien Fumard
Before travelling I had all sorts of preconceived ideas on many topics. You know, having an unlimited access to culture can sometimes make you feel like you know a lot of things but in the end, you don’t really know anything until you live it. more
Huibo Hou
don’t intentionally chase excitement or thrill from doing landscape photography, although I certainly enjoy those moments when they show up! Quite the opposite, I am doing landscape photography because it lets me slow down and I can take my time to observe, discover, and create. more
Jocelyn Horsfall
Impermanence, imperfection and decay will always provide visual opportunities but are just one part of Nature’s story. more
Amanda Harman
Periods of non-productivity can be incredibly refreshing and reinvigorating, whilst I paused work on the Golden Valley project there was a shift in my relationship to the landscape, both practically and creatively and a shift in the way that I thought about my approach. more
Alex Hartley
During my BA, partly due to space constraints, I started making sculptures solely to be photographed, so the end product was a black and white photograph and the sculpture would be destroyed or dismantled once the image was made. more
Elvis Dallie
We each have our own individual sense of direction: one person walks past it and the other sees something beautiful in it. It is also a matter of feeling and different taste. I go purely on my gut feeling; what speaks to my heart. more
Matt Payne
For this issue, we’re turning the tables on Matt Payne, who writes our ‘Portrait of a Photographer’ series. more
Paul Moon
These steep-sided valleys were formed when melt-waters from huge areas of deep snow and ice melted at the end of an ice age forming fast flowing rivers that carved deep into the frozen chalk plateau of the Wolds. more
David Tatnall
As for motivation, being able to say something about our fragile environment by making a photograph and it having an impact and meaning is it. more
Luca Tombolini
The images are the visible part of the experience but what’s hidden in them is the adventure and the magic that I went into. more
Johan Stadling
The images we’ve chosen for our interview draw very much on his predilection for pattern; even the birds sit within complexities of shape and form. more
Carolyn Cheng
In my daily life and work, my mind likes to discern patterns from complex sets of information and I also see images in this manner. Being up in the air, where landforms can be abstracted into shapes and patterns, I can more easily apply this skill. more
Franka M Gabler
Before I set up my tripod, I slow down and pause for a minute. I take the time to feel the place. I open all my senses. I listen to the sounds of undisturbed forest and wildlife, the sounds of rustling leaves beneath my feet, the sounds of the river or crashing waves. more
James Lane
On his Instagram feed, this man of science reveals a love of words and writing; here he talks about finding his voice, images that whisper, and the impact this is having on his life. It is clear he has found his passion. more