Gheorghe Popa
It is strange that although one is a natural lake and the other one is an artificial lake filled with poison, to me they have things in common, like the trees in the water. more
Ângelo Jesus
I consider myself mostly a reactive and instinctive photographer and as I said before, I always like the idea of waiting for nature to speak to me and show me the way. I think the key is full observation, patience and persistence. more
Jasper Goodall
The process of making a photograph is akin to a performance, with the photographer as conductor. It’s up to us to decide what we reveal, where we want the emphasis, how loud or quiet the instruments are, and if we want a solo… more
David Lintern
Some of you may remember David’s name in the context of the campaign against the planning application for run-of-river hydro developments within the designated wildland areas of Glen Etive in 2020. As well as writing, David photographs, teaches and yes, campaigns, on other matters too. It would be easy to think that passionate advocacy for nature stems from early exposure to it, but in David’s case, this was limited. That’s clearly no longer so, and as more
Joel Truckenbrod
That quality of silence is probably the single most important element I find within the landscape, and often one of the most difficult to effectively communicate. Perhaps that valuation is a reaction to living in a busy world, which is seemingly always filled with noise and distraction? more
Jennifer Renwick
The inspiration behind my imagery comes from my curiosity about the natural world and what Nature shows me when I am exploring and photographing. more
Ellen Borggreve
There is something about the forest that just moves me more than any other landscape. It is not open and vast like many other landscapes, but sheltered, intimate, mysterious and magical at the same time. more
Peter Heaton
From ‘Dark Landscapes’ to the complexities of layered visuals, drawings and text - and sound - Peter shares with the viewer his home ground of North Yorkshire and the Yorkshire Wolds, some of the thoughts and emotions attached to being in the landscape, as well as his concerns for our environment. more
Finn Hopson
The South Downs is still where I spend most of my time with a camera. I’ve been photographing this area for about eleven years now, but if 2020 has taught me anything it’s that there is still so much to discover on my doorstep. more
Ali Shokri
I never changed my vision, I strengthened it to look differently at the trees. They are not created just for fruits, they have another message. They have feelings, they live just like us. more
G Dan Mitchell
It was probably over a decade ago, more like 15 years I imagine, when I first saw Dan's photographs. I think it may have been on Fred Miranda or possibly via a blog circle. more
Kevin Krautgartner
For the ultimate in abstracts, take to the air. From the glacial rivers in Iceland that we have become familiar with to the landscapes of Australia, Kevin Krautgartner’s images show that there is plenty to find and enjoy at a larger scale. more
Margaret Soraya
My affinity with Scotland is deep, and I feel that relationship is important. There is something powerful about photographing a place that means something to you. more
Luke Brown
I was interested in discovering man’s influence over the landscape, up until the very edges of our coastline, wanting to highlight the conflict between the natural and man-made environment. more
Peter Eastway
Sometimes it’s good to swap sides of the desk and for this issue, we are interviewing Peter Eastway, who among many other things is Editor and Publisher of Better Photography Magazine. more