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Matt Payne
For this issue, we’re turning the tables on Matt Payne, who writes our ‘Portrait of a Photographer’ series. more
Paul Moon
These steep-sided valleys were formed when melt-waters from huge areas of deep snow and ice melted at the end of an ice age forming fast flowing rivers that carved deep into the frozen chalk plateau of the Wolds. more
David Tatnall
As for motivation, being able to say something about our fragile environment by making a photograph and it having an impact and meaning is it. more
Luca Tombolini
The images are the visible part of the experience but what’s hidden in them is the adventure and the magic that I went into. more
Johan Stadling
The images we’ve chosen for our interview draw very much on his predilection for pattern; even the birds sit within complexities of shape and form. more
Carolyn Cheng
In my daily life and work, my mind likes to discern patterns from complex sets of information and I also see images in this manner. Being up in the air, where landforms can be abstracted into shapes and patterns, I can more easily apply this skill. more
Franka M Gabler
Before I set up my tripod, I slow down and pause for a minute. I take the time to feel the place. I open all my senses. I listen to the sounds of undisturbed forest and wildlife, the sounds of rustling leaves beneath my feet, the sounds of the river or crashing waves. more
James Lane
On his Instagram feed, this man of science reveals a love of words and writing; here he talks about finding his voice, images that whisper, and the impact this is having on his life. It is clear he has found his passion. more
Gheorghe Popa
It is strange that although one is a natural lake and the other one is an artificial lake filled with poison, to me they have things in common, like the trees in the water. more
Ângelo Jesus
I consider myself mostly a reactive and instinctive photographer and as I said before, I always like the idea of waiting for nature to speak to me and show me the way. I think the key is full observation, patience and persistence. more
Jasper Goodall
The process of making a photograph is akin to a performance, with the photographer as conductor. It’s up to us to decide what we reveal, where we want the emphasis, how loud or quiet the instruments are, and if we want a solo… more
David Lintern
Some of you may remember David’s name in the context of the campaign against the planning application for run-of-river hydro developments within the designated wildland areas of Glen Etive in 2020. As well as writing, David photographs, teaches and yes, campaigns, on other matters too. It would be easy to think that passionate advocacy for nature stems from early exposure to it, but in David’s case, this was limited. That’s clearly no longer so, and as more
Joel Truckenbrod
That quality of silence is probably the single most important element I find within the landscape, and often one of the most difficult to effectively communicate. Perhaps that valuation is a reaction to living in a busy world, which is seemingly always filled with noise and distraction? more
Jennifer Renwick
The inspiration behind my imagery comes from my curiosity about the natural world and what Nature shows me when I am exploring and photographing. more
Ellen Borggreve
There is something about the forest that just moves me more than any other landscape. It is not open and vast like many other landscapes, but sheltered, intimate, mysterious and magical at the same time. more