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Simon Baxter
You could say that including Simon Baxter as a featured photographer is thanks for saving me from a long stay in London when the Beast from the East shut down all travel north of Yorkshire. But then again, he seemed happy with the cup of coffee and a bit of cake, so perhaps it's more likely because his photography has a consistent and creative vision of the world which he explores and shares so well through his YouTube videos more
Andy Holliman
Here at On Landscape we're always keeping an eye out for interesting, personal projects, particularly ones that work outside of the usual photogenic subjects. more
Jan Gray
If I think about it, photography was probably waiting, silently in a corner, for me to get to a stage where I could become a lifelong partner with it. If I’d chatted it up earlier, it would probably have become a passionate but transient fling. more
Stuart Williams
With the exception of my tertiary education, I have spent my life in Africa, having grown up in Kenya. I grew up under big skies and the equatorial sun. more
Janet Matthews
I started visiting woodlands with my camera at a time when I needed a place to reflect on life. This was at the time when the leaves had already fallen, making visible the underlying structures created by the branches and vines. more
Jack Lowe
Jack embarked on a new adventure, and project called The Lifeboat Station Project. What started as an ambition to photograph the view from each lifeboat station around the UK’s coastline became a homage to the volunteers of The Royal National Lifeboat Institution (RNLI). more
Benjamin Graham
Nothing like a near-death experience to focus the mind, eh? And so began my period of de-stressing, downscaling and of simplification in my existence. And of the uptake of photography as a second career. more
Jane Fulton Alt
Much of Jane’s work evolves around cycles of life; whether we recognise it or not photography is both a response and an antidote for us all to personal circumstances as well as those that impinge upon our existence. more
Frank Sirona
All the limitations I´ve mentioned render photography a much more conscious process and that, of course, has an impact on the results you´ll bring home. more
Alex Nail
I simply find that taking on more difficult tasks helps me to find value in what I do. Particularly in the sub-genre, I am in of ‘classic grand landscape photography’. more
Greg Russell
To achieve lofty goals - or even modest ones - in wilderness preservation, we need time. The next generation will surely be critical in these efforts (and I hope highly critical of our own efforts!). All wilderness preservation comes down to two of the rarest human virtues: humility and restraint. more
Jenifer Bunnett
Jenifer’s images show a quieter side of the sea, though not without the potential to occasionally take her feet from under her. more
David Foster
I sometimes say that my work explores the interface between nature and culture, but actually, in recent years, I’ve found the culture bit diminishing, although making art that deals closely with the natural world is always going to be a kind of manifestation of that interface anyway: a culturisation of nature. more
Daniel Bergmann
That process of finding a composition that works for me can be quite meditative. Mostly different from what I've felt while practising sitting meditation, but in some ways similar. more
Frederic Demeuse
I felt an irrepressible call for this mythical forest, which resounded in me as the last refuge of a certain nature which no longer exists elsewhere. more