


Alan Henriksen
I’m delighted to have come across Alan Henriksen’s detailed explorations of the natural and the man-made on Lensculture recently. As well as sharing his images with you, he has some rather special anecdotes too. more

Motoko Sato
My work is not a loud voice that reaches a lot of people, but a small whispering work that snuggles them one by one. I think that a delicate and small voice is just right for delivering peace with the voice of nature. more

Richard Corkrey
He is fortunate to live close to some stunning areas of woodland and his images – a mix of colour, black and white, and infrared – should certainly tempt you to go for a wander in the woods. more

Simon Butterworth
Simon has given us a delightfully concise bio, so I’ll add a little. His images have been widely published; he has had success in high profile competitions including the Sony World Photography Awards, the International Photography Awards and the UK’s Landscape Photographer of the Year Competition more

Hengki Koentjoro
Indonesia is the country I live in; with thousands of islands, it is easily dubbed as the biggest archipelago nation on earth. The ocean, in particular, is my favourite playground; it is a place where one can see calmness as well as the power of the ocean. more

Gevork Mosesi
I believe this is a great time to be working with film. Film photography has made a resurgence. more

Stephen Segasby
Early in the interview, Stephen mentions that as well as needing time to attune ourselves to a new place, leaving the familiar allows us to re-evaluate what we have done there. more

Dan Baumbach
You’re very much in the present moment creating out of nothing. Thought only comes into it when you try to actualise what you’re seeing. You need to think about exposure, focus and all that. more

Verity Milligan
Seeing the images that Verity Milligan shares online, her love of the rural and the remote is clear, but look a little deeper and it’s also apparent that the city that she calls home – Birmingham, UK - is very important to her too. more

Neil Burnell
If you still mostly associate Neil with long-exposure photography, you’ll learn how extended application in the form of year-long competitions has benefitted his skill set and broadened his interests and portfolio. more

Sarah Marino
You might expect a portfolio full of iconic American scenery, but over time Sarah has found greater fulfilment through the changing conditions, intimate scenes and delicate details for which she is best known. more

Stuart Clook
Stuart Clook’s work mixes places beloved by 21st century filmmakers, audiences and adventurers with 19th century photographic and printing processes, exploring the way that colour can influence perception and deliberately making room for error and discovery. more

Adam Fowler
Adam has for some time been considering in photographic terms the structures that we tend to avoid or overlook, including the many hydro-electric dams built in the Scottish Highlands in the 1950s and 1960s. more

Paul Mitchell
I have been actively involved with pinhole photography for almost 15 years and am pleased to see that it has had somewhat of a resurgence recently. more

Jo Stephen
A few years ago, I set out to try and capture images that illustrated the ephemeral quality of the nature around me. I wanted to explore the movement of energy between subject and landscape. more